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Montreal and Quebec City have entered COVID-19 Red Alert Level, from 1 to 28 October a new lockdown is ordered. Businesses and Schools are to remain open with the exception of Restaurants, Bars, Strip Clubs, Cinemas, Theatres and Casinos.

Montreal and Quebec City have entered COVID-19 Red Alert Level, from 1 to 28 October a new lockdown is ordered. Businesses and Schools are to remain open with the exception of Restaurants, Bars, Strip Clubs, Cinemas, Theatres and Casinos. submitted by MeleeCyrus to canada [link] [comments]

Dealer at Casino Lac Leamy dealer tests positive for COVID-19

submitted by chaircape to ottawa [link] [comments]

Unpopular Opinion: The measures Alberta has put in to play aren't as bad as you all think they are. There is a lot of data and a lot of research out there and I feel a lot of people in this sub are entirely neglecting a lot of it.

To start, yes we should have implemented these much sooner. Yes the UCP shouldn't have started a fight with healthcare workers. Yes we should have far more contact tracers. Yes Kenney said a lot of BS in hopes to win votes. Yes, elderly care homes needed to be protected a lot better than they were. And yes, Kenney needed to be out in public a lot more. These are all things they should be held accountable for in the next election. I will also add that if people can't follow these guidelines we will likely have no choice but to do a hard shutdown in 3 weeks, which I am not sure Kenney wants to do. Additionally, I won't be linking a lot of sources that are pro-lockdown, primarily because I don't really have the time to go find all of them, and most people here have better sources than I do for those anyways, but please feel free to share them below as I like to be as informed as possible.
Now, on to the actual topic. Whether you like it or not, locking down is a lot more complex issue than many here seem to think it is. There are implications that are far more than "just" money. David Nabarro, a medical doctor and Special Envoy on Covid-19 for the WHO specifically states:
lockdowns just have one consequence that you must never, ever belittle, and that is making poor people an awful lot poorer. Look what’s happened to smallholder farmers all over the world. Look what’s happening to poverty levels. It seems that we may well have a doubling of world poverty by next year. We may well have at least a doubling of child malnutrition.
He also said
We in the World Health Organization do not advocate lockdowns as the primary means of control of this virus... The only time we believe a lockdown is justified is to buy you time to reorganize, regroup, rebalance your resources, protect your health workers who are exhausted, but by and large, we’d rather not do it.
source
We've had months to prepare (which Kenney threw away), would anything change over the lockdown, or would it just become our primary way of combatting covid?
Additionally, we have research from a local Albertan, Dr. Ari Joffe, an expert in infectious disease and critical care, Dr. Ari Joffe of the Stollery Children’s Hospital and the University of Alberta. In his paper, he states
The most affected by the pandemic response are “the poor, the marginalized, and the vulnerable,” while we in high-income countries have shifted “negative effects… to places where they are less visible and presumably less serious.”10 We must open up society to save many more lives than we can by attempting to avoid every case (or even most cases) of COVID-19. It is past time to take an effortful pause, calibrate our response to the true risk, make rational cost-benefit analyses of the trade-offs, and end the lockdown groupthink.
You can read the preprint paper here.
Now, we have also seen cases where lockdowns work, we saw it in New Zealand, Victoria Australia, Quebec, Italy, China (though I don't think any of us want the restrictions that went on there), and many other places, but most times lockdowns went on for months. I don't have any sources on impacts to health of people in those areas, but if someone has some sources I would love to read them (regardless of what they say). There's also been research done that shows that historically (from the spanish flu) that places implemented restrictions faster were able to rebound faster source actual paper - pre-review and potentially even came back stronger than those who took longer. It does state that
NPIs implemented in 1918 were milder than the measures adopted in some countries during COVID-19.
We have also seen places like Hong Kong and South Korea repeatedly fight off covid with limited shutdown of businesses and no real lockdowns. They are very different than us and we wouldn't be able to implement the same measures, but it's still something to keep in mind.
Schools are another factor I see a lot of people talk about, but again, there's a lot of research for both closing them and keeping them open. You can read a bunch on why children may not be as large of spreaders as you think in this article which links to several studies. At the same time, there are studies that show kids are huge drivers of covid. There's also studies that show kids need the interaction of schools and are falling very behind. During the Nov 6 update (41 ish minute mark), Hinshaw makes it pretty clear that schools aren't driving spread here, and while our data isn't great anymore, it does seem to line up with both other jurisdictions with similar measures, and some of the studies in that article.
Restaurants are another biggie I see people talk about. There was the study in China which showed 3 different family groups all at different tables got sick due to the AC, and that paper recommends spacing tables apart and getting better ventilation (which we have spaced tables out here). And they definitely were super spreaders at the beginning. But new studies show that with cap limits (which we should have but for some reason don't, the table spacing should be good though) should make restaurants less of a transmission problem. study 1 summary and discussion. This also breifly discusses how small home gatherings are in fact one of the biggest drivers of covid, which can be demonstrated by looking at all the jurisdictions banning them, and even the CDC head stating similar scroll down to household get-togethers...
As for the rules, it's stated that public gatherings are banned at all indoor locations. That means you can't legally meet up with people at your house, at a restaurant, at a bar, or at a casino. You can only do these with your household or if you live alone, your 2 people.
Now, let me finish by saying that if the numbers keep going up we may have no choice but to lockdown, but I believe we need to at least try other measures first (which again, should have been implemented sooner). I hope that those of you who read this can at least understand why some people think the way they do, and that these decisions aren't as easy as some think they are. If all of us could educate ourselves fully on the issue I feel the world would be a much better place.
submitted by calgaryidiot to alberta [link] [comments]

Lockdown 2.0 Starts Tomorrow In Quebec!

https://montreal.ctvnews.ca/red-alert-private-gatherings-banned-as-bars-eat-in-dining-close-in-three-quebec-regions-1.5122144
Under the red alert, visitors to private homes are now banned, with exceptions for caregivers and contractors for work that was already planned. People who live alone can also see another person who lives alone, for example couples who do not live together, Health minister Christian Dube added. Movie theatres, libraries, concert halls, restaurant dining rooms, bars, taverns, casinos are all closed. Takeout is available for restaurants.
Private gatherings are banned and public gatherings have a cap of 25 people. Travel out of red zones is also discouraged. Businesses can stay open, including personal care, said Legault. Sports venues including hockey arenas will also remain open, a presse attache confirmed to CTV News.
Legault said the province's public safety minister is looking at how to enforce masks at outdoor gatherings, including demonstrations.
submitted by MuffinSun to NoNewNormal [link] [comments]

The /r/hockey Trade Deadline Game - Day 2 Thread

NOTE: This is FAKE HOCKEY. To talk about actual hockey, go to the latest Daily Discussion thread
Trade Deadline Tonight will continue TONIGHT!
The /hockey Trade Deadline Game is back for day 2! Starting today at 8:00 AM MT trading is officially open again. Trading will run until Thursday, January 30th at 6:00 PM MT.
You are not late! You can still sign up at http://www.tdgdb.com
When you are traded, change your flair on hockey-related subreddits and spend the week from January 31st through February 7th cheering for your new team.
Here are this year's reporters, the people who will make things up break news of trade negotiations:
But remember

NO TRADE IS OFFICIAL UNTIL POSTED IN THIS THREAD!

It's not too late to sign up to be a player The sign-up form is still active and will remain open until Wednesday night. You can find that here
For TDG-related shenanigans, go here [WARNING: some NSFW Language]
Happy trading!
coloradoavalanche receives xelrano from detroitredwings
detroitredwings receives illwill18 from coloradoavalanche
Detroit receives a 3 of the Rocky Mountains, Breckenridge Brewery.
Colorado receives Windsor Ontario.
coloradoavalanche receives Muckerofbin from edmontonoilers
coloradoavalanche receives SCwinningJultz from edmontonoilers
edmontonoilers receives asswaffle420 from coloradoavalanche
edmontonoilers receives CloutWaffle from coloradoavalanche
coloradoavalanche receive a used oil derrick, straight from the prairies.
canucks receives TheOlDickTwister from detroitredwings
canucks receives SevenStringGod from detroitredwings
detroitredwings receives JordanTheLobster from canucks
detroitredwings receives BlueLegs32 from canucks
Detroit receives Storm Brewery.
Vancouver receives the naming rights to Lake Superior
predators receives tonuch4963 from detroitredwings
detroitredwings receives TRed7894 from predators
Detroit receives Yazoo Brewery, and a choked on peanut.
Nashville receives the helmet from Robocop.
penguins receives thewinterzodiac from edmontonoilers
penguins receives nextfanatic from edmontonoilers
edmontonoilers receives DontPanic_4242 from penguins
edmontonoilers receives shirleyxx from penguins
penguins receive a barrel of the finest Albertan oil.
penguins receives StonedArcticPenguin from rangers
rangers receives ArchaicTriad from penguins
Pittsburgh Cheesesteak has been removed from the menu from Parmanti Bro's
anaheimducks receives Efficient-Sentence from winnipegjets
anaheimducks receives ItsaMe_Fish from winnipegjets
winnipegjets receives dunkan799 from anaheimducks
anaheimducks Front Office will have food delivered to the Front Office of Winnipegjets
stlouisblues receives otterHooligan from flyers
stlouisblues receives DelcoScum from flyers
stlouisblues receives agswanlek from flyers
flyers receives OtterInAustin from stlouisblues
flyers receives lawnicus18 from stlouisblues
flyers receives Rhymes_withOrange from stlouisblues
stlouisblues receives The Jacks NYB from Philadelphia in exchange for one hour alone with the Stanley Cup for Gritty.
rangers receives Asscheese124 from floridapanthers
rangers receives BearHands00 from floridapanthers
rangers receives MiamiDolphinsFan13 from floridapanthers
floridapanthers receives MentalCorruption from rangers
The New York Rangers also receive naming rights to the city of Miami, renaming it New Brooklyn, and naming rights to the Florida Keys, renaming them the Brooklyn Keys
flyers receives leadorlead from bluejackets
bluejackets receives puckcrisis11 from flyers
To bluejackets - a supply of Scrapple
To flyers - a gift card to La Crema in Hamilton
bluejackets receives NorthHighBears from coloradoavalanche
bluejackets receives RaiderGoalie from coloradoavalanche
bluejackets receives FuzzyTheKiller from coloradoavalanche
coloradoavalanche receives Highlander253 from bluejackets
coloradoavalanche receives HockeyHydralisk from bluejackets
Columbus Blue Jackets to receive a case of Marylands finest rot gut, DuClaw Brewery's Sweet Baby Jesus Chocolate Peanut Butter Porter.
Colorado Avalanche to receive assurances that HockeyHydralisk will shitpost memes at least twice, spending more than ten minutes in GIMP and not just making text on a white background.
detroitredwings receives docksmur from bluejackets
detroitredwings receives Demonox01 from bluejackets
bluejackets receives TheFlanderer from detroitredwings
bluejackets receives InSwedenWeTrust from detroitredwings
bluejackets may dress the Spirit of Detroit in a Blue Jackets jersey for one week
detroitredwings receives the Columbus Brewing Company
flyers receives Sulfoniclol from coloradoavalanche
flyers receives doodlescout from coloradoavalanche
coloradoavalanche receives TheGlaceon78 from flyers
coloradoavalanche receives wh1zzer from flyers
Colorado Avalanche to receive the township of Cherry Hill, NJ.
canes receives sneakytinkerspirits from canes
VGK receives a single In-n-Out fry. Not even animal style. Plain.
devils receives OhneBremse_OhneLicht from sanjosesharks
sanjosesharks receives woodbot96 from devils
sanjosesharks receives SnowyPuzzle from devils
sanjosesharks receives HopelessEsq from devils
sanjosesharks receives CTLepore from devils
hawks receives themagicman1343 from detroitredwings
detroitredwings receives Xenofon713 from hawks
detroitredwings receives Goose Island Brewery, but will still distribute to Chicago. hawks gets to rename 8 mile, 88 mile and a picture of Patrick Kane will be put on the sign.
hawks receives hockeyenthusiast from sanjosesharks
sanjosesharks receives NimihseeL from hawks
Chicago will send some cold weather to the Bay Area. The Sharks will use this to host the Blackhawks in the Winter Classic.
canes receives StephDoesntCamp from flyers
flyers receives SheepLovesFinns from canes
flyers receives SarahCiv from canes
flyers receives IAMA_Dumba55_Fan from canes
canes receives the Rocky statue and promises to teach Steph how to properly appreciate Rod the Bod
dallasstars receives kethryvis from sanjosesharks
sanjosesharks receives talkinmyface from dallasstars
sanjosesharks receives doihavetowearabra from dallasstars
Sharks receive three bags of hockey pucks.
detroitredwings receives OcelotWolf from sanjosesharks
sanjosesharks receives swim846 from detroitredwings
sanjosesharks receives GreatCanadian_ from detroitredwings
sanjosesharks receives ts1234666 from detroitredwings
Detroit receives ownership of the Hapas Brewing Company.
newyorkislanders receives Dildo_Baggins_6969 from hawks
newyorkislanders receives bwhyte1123 from hawks
hawks receives Deathwing_Dragonlord from newyorkislanders
hawks receives commsmatt from newyorkislanders
Isles to provide Hawks with Brooklyn pie.
Hawks to provide Isles with deep dish pizza.
detroitredwings receives CutLinkOfficial from rangers
rangers receives nik_mkay from detroitredwings
/detroitredwings get Genesee Brewing Company.
/rangers get to rename Dayton, MI to New New York, MI
devils receives osoblanco234 from goldenknights
devils receives Bigcheecho from goldenknights
devils receives rubix08 from goldenknights
devils receives mmowry98 from goldenknights
devils receives CapHillFlash from goldenknights
goldenknights receives JSav7 from devils
goldenknights receives timotomat0 from devils
goldenknights receives Pastatrees from devils
goldenknights receives Palmsfan21 from devils
goldenknights receives faze_chair from devils
New Jersey Devils acquire Bryce Harper's tears
Vegas Golden Knights acquire a Nikita Gusev Jersey
devils receives Hobpobkibblebob from tampabaylightning
tampabaylightning receives HeadHighSauce26 from devils
tampabaylightning receives diego-fuego from devils
TB receives: Louis Domingue NJ receives: some real Florida beach sand and a 12 pack of a Tampa Bay beer to be named later
canes receives Awab25 from hawks
hawks receives shadownet97 from canes
Canes will receive 1 pie from Pequod's.
leafs receives Cynova055 from bluejackets
bluejackets receives haIifax from leafs
To leafs - a signed LeBron James poster
To bluejackets - a Stan Rogers vinyl
coloradoavalanche receives ksheiny from newyorkislanders
coloradoavalanche receives zxpzflik from newyorkislanders
coloradoavalanche receives QuantumDrake from newyorkislanders
newyorkislanders receives littleneerd from coloradoavalanche
newyorkislanders receives bluestooge from coloradoavalanche
newyorkislanders receives usiakcameron from coloradoavalanche
/ColoradoAvalanche receive a cup holder stolen from the Barclays center
both teams sign a joint statement saying the Barclays Center sucks for hockey
rangers receives _RocketGrunt_ from coloradoavalanche
rangers receives stormylullabye from coloradoavalanche
rangers receives Thebush121 from coloradoavalanche
rangers receives taylorrae33 from coloradoavalanche
rangers receives camco105 from coloradoavalanche
coloradoavalanche receives MEGAMATTEOMAN from rangers
coloradoavalanche receives Robtachi from rangers
New York Rangers to receive New Mountain York.
detroitredwings receives guccigatana from newyorkislanders
newyorkislanders receives DeadWithMyFriends from detroitredwings
/NewYorkIslanders receive a girder from the old Joe Louis Arena
/DetroitRedWings receive the Southern Tier Brewing Company
tampabaylightning receives MooseKingdom from leafs
stlouisblues receives Ezflow from tampabaylightning
stlouisblues receives Bryce_Dead19 from tampabaylightning
stlouisblues receives Euroranger from stlouisblues
leafs receives Jimmers1231 from stlouisblues
leafs receives Bcakd5 from stlouisblues
bluejackets receives dylanr18 from bluejackets
bluejackets receives TheDanAplan from bluejackets
stlouisblues receives thecbjfan from bluejackets
leafs receives an official expression of gratitude from stlouisblues for Toronto's release of Tyler Bozak
hawks receives OleMissGoalie37 from coloradoavalanche
hawks receives HeelJopy from coloradoavalanche
hawks receives silentrenegade8 from coloradoavalanche
coloradoavalanche receives Bragisson from hawks
Chicago to receive Rhein Haus.
stlouisblues receives wingsfan64 from detroitredwings
detroitredwings receives ContrastingWords from stlouisblues
/detroitredwings receive 2 clydesdales
/stlouisblues receive 2 Fiats.
flyers receives WhoaItsAFactorial from losangeleskings
losangeleskings receives SplendaMan from flyers
losangeleskings receives crafbicycle from flyers
flyers receives a bag of Mike Richards finest nose candy
losangeleskings receives Gritty's dealer's phone number
losangeleskings receives kenlane from newyorkislanders
losangeleskings receives auniqueusername1001 from newyorkislanders
newyorkislanders receives Branzilla91 from losangeleskings
newyorkislanders receives WhyAreYouGey from losangeleskings
newyorkislanders receives trippy2219 from losangeleskings
/NewYorkIslanders receive a Pau Gasol jersey
/LosAngelesKings receive a jug of that good Brooklyn Water
flyers receives RealmoftheRedWiings from detroitredwings
flyers receives RedWingFan5 from detroitredwings
detroitredwings receives carp_boy from flyers
detroitredwings receives KFC_Gaming from flyers
/detroitredwings receive Yuengling Brewery
/flyers receive otters Kalee and Sparky from the Detroit Zoo
coyotes receives JimmyRadRad from tampabaylightning
coyotes receives sdubz11 from tampabaylightning
coyotes receives vinnyv91 from tampabaylightning
coyotes receives PinHill from tampabaylightning
tampabaylightning receives bonzaijoe from coyotes
TB receives: Some desert sand from Arizona + 1 live coyote
ARI receives: Some beach sand from Florida
predators receives m4xdc from coloradoavalanche
coloradoavalanche receives Forny008 from predators
Colorado Avalanche to receive Carrie "Carrie Underwood" Fisher at one home game.
Nashville Predators to receive two free Chevrolet Avalanches to smash as they see fit during the Stanley Cup Playoffs.
stlouisblues receives christinaann6 from penguins
penguins receives a promise that u/professorwhat won't make another edgy joke on stream
losangeleskings receives PhelpsTheory from canes
losangeleskings receives AStelthyNinja from canes
canes receives LABoston from losangeleskings
In addition, CAR receives a dozen Randy's donuts and a taco truck. LAK receives one storm surge wavier.
coloradoavalanche receives YouGot2BeKiddingMe from tampabaylightning
tampabaylightning receives feedfatso1607 from coloradoavalanche
tampabaylightning receives Leumas_lheir from coloradoavalanche
tampabaylightning receives putinsukraine from coloradoavalanche
tampabaylightning receives stubborn11 from coloradoavalanche
COL receives: A jar of lightning that can be controlled and used to kill enemies
TB receives: An avalanche machine that trigger an avalanche wherever I want, once
bluejackets receives Something_319 from stlouisblues
bluejackets receives Euroranger from stlouisblues
stlouisblues receives TheDanAplan from bluejackets
stlouisblues receives dylanr18 from bluejackets
stlouisblues receives the entire The Drew Carey Show on Blu-Ray.
bluejackets receive the body of General William T. Sherman. At last reunited with Grant, acquired in an earlier trade, Ohio's great God-Kings shall be reinterred beneath Nationwide Arena, henceforth to watch over this city, this state, and this hockey team in eternal glory.
sabres receives TheConeOfShame805 from penguins
penguins receives NumberJ5 from sabres
sabres receives the Monongahela River and a grilled cheese sandwhich that the Penguins promise is actually a Philly cheesesteak
penguins also gives NumberJ5 his own personal bidet
goldenknights receives needuhlife19 from detroitredwings
goldenknights receives D3troiit from detroitredwings
detroitredwings receives cookbacondrunknaked from goldenknights
/detroitredwings receive Ellis Island Hotel Casino & Brewery.
/goldenknights receive Tom Selleck's mustache
bluejackets receives Sh1eldbearer from detroitredwings
goldenknights receives RCX42 from bluejackets
Vegas acquires some Lake Effect from Columbus to help pond hockey in the desert
tampabaylightning receives bay_sports from sanjosesharks
tampabaylightning receives DontSayNoToPills from sanjosesharks
sanjosesharks receives bonzaijoe from tampabaylightning
sanjosesharks receives XanoJester from tampabaylightning
devils receives Troub313 from detroitredwings
detroitredwings receives Flowseidon9 from devils
detroitredwings receives corso923 from devils
/detroitredwings receive the Anheuser-Busch facility located in Newark.
sanjosesharks receives adam3vergreen from bluejackets
bluejackets receives sjs48 from sanjosesharks
bluejackets receives eggs-dee123 from sanjosesharks
caps receives brycer16 from flyers
caps receives AgelessWonder67 from flyers
caps receives FlackBox from flyers
flyers receives koalabear9301 from caps
flyers receives NotShibs from caps
flyers receives _Ghost8_ from caps
Philadelphia sends Jeff Francoeur to DC.
habs receives MOLightningBro from tampabaylightning
habs receives RandomBoltsFan from tampabaylightning
tampabaylightning receives Davel_Patsyuk from habs
tampabaylightning receives christiv7 from habs
tampabaylightning receives Lander-V from habs
MTL receives: A meeting with the Yakuza
TB receives: The best poutine Quebec has to offer
habs receives spyingformontreal from detroitredwings
detroitredwings receives Notopdelta from habs
/detroitredwings receive Molson Coors Brewing Company.
/Habs receive an unreleased Eminem mixtape
devils receives hnglmkrnglbrry from bluejackets
bluejackets receives summervacationtoHoth from devils
bluejackets receives Danny_Devitos_Bitch from devils
bluejackets receives kingofthediamond from devils
bluejackets receives 4Bars_BlackFlag from devils
bluejackets receives Cyrus_Voltaire from devils
bluejackets receives Future Considerations and Snookie from devils
bluejackets acknowledges and endorses the Devils' famous Christmas Whites as the best in the Tri-State Area.
habs receives Angry_Walnut from goldenknights
goldenknights receives Instantcurry from habs
goldenknights receives killerb54 from habs
Vegas acquires Paccioretty's C
Montreal acquires Paccioretty's A
flyers receives JakeTheSnake0709 from edmontonoilers
edmontonoilers receives NippleDickPussyBhole from flyers
flyers receives the Walterdale Bridge EdmontonOilers receive the opportunity to lick the Liberty Bell
caps receives Xenofon713 from detroitredwings
detroitredwings receives NKilmer6 from caps
/detroitredwings receive a bag of prison booze from The Central Detention Facility
sanjosesharks receives Softestpoop from edmontonoilers
edmontonoilers receives infamousgenitals from sanjosesharks
edmontonoilers receives thegreatmomo14 from sanjosesharks
penguins receives ProjectPsion from bluejackets
penguins receives TheStigofKentucky from bluejackets
penguins receives Zebra_dan from bluejackets
bluejackets receives PenguinPride87 from penguins
bluejackets receives knucklepuck17 from penguins
bluejackets admits the Pirates will win another title before the Browns will
caps receives thatgoodmojo from detroitredwings
detroitredwings receives Xenofon713 from caps
/detroitredwings will be holding a press conference soon to honor Xenofon713 for coming back home...for good this time.
flyers receives safetide from losangeleskings
losangeleskings receives cdl5060 from flyers
flyers also receives a meeting with Snoop Dogg to explain what otters are to him
sanjosesharks receives plantedgreenfern from caps
sanjosesharks receives Roust_McGoust from caps
sanjosesharks receives SaxIsMyAxe1_ from caps
sanjosesharks receives Fireball827 from caps
sanjosesharks receives hokierange from caps
caps receives Sainthops from sanjosesharks
caps receives pachicola from sanjosesharks
caps receives bunnymcfoo from sanjosesharks
caps receives SurprisedCarlos from sanjosesharks
winnipegjets receives NarcoticTurkey from habs
habs receives finnishjetter from winnipegjets
Habs receive protection from finnishjetter sabotaging our hockey survivor plans for 2020
winnipegjets receives Spitfyre434 from sanjosesharks
winnipegjets receives lackingspoon from sanjosesharks
sanjosesharks receives TrueNorthStrong1898 from winnipegjets
The Winnipeg Jets officially acknowledge that Northern California is better than Southern California.
winnipegjets receives Fixmy59bug from goldenknights
winnipegjets receives Hektorpascal from goldenknights
goldenknights receives biga204 from winnipegjets
goldenknights receives Kudgar from winnipegjets
stlouisblues receives Whydoesthisexist15 from canes
stlouisblues receives gene_scallop from canes
stlouisblues receives waltstrika from canes
stlouisblues receives canesfan556 from canes
stlouisblues receives fogger794 from canes
canes receives PM_Me_Things_Yo_Like from stlouisblues
canes receives TechDawg20 from stlouisblues
canes receives JazzPolice13 from stlouisblues
canes receives M_Shepard_89 from stlouisblues
canes receives jsmu2016 from stlouisblues
canes receives a buffet tray of T-Ravs, stlouisblues receives the Section 328 Podcast.
canucks receives DeathToHeretics from caps
hawks receives ainzooalg0wn from caps
caps receives thelaineranger from canucks
hawks receives jlennox__ from canucks
caps receives younggun92 from hawks
caps receives jamaicancovfefe from hawks
To Chicago: A pizza from We The Pizza (Toppings to be decided at a later date)
To DeathToHeretics: A Chicago Dog and Chicago Deep Dish Pizza to be taken with him to Vancouver
canucks receives ChronicBitRot from hawks
canucks receives ThirdTimesAnAlt from hawks
canucks receives SpeedyDolphin42 from hawks
hawks receives mephnick from canucks
winnipegjets receives darnfox from detroitredwings
winnipegjets receives akschreibs from detroitredwings
detroitredwings receives PuckTheFreds from winnipegjets
/detroitredwings receive Half Pints Brewing Co.
/winnipegjets receive lockers from Joe Louis Arena, to be used as the overhead compartments
canucks receives jmorga33 from bluejackets
bluejackets receives offline_dude19 from canucks
canucks receives a bag of pucks from bluejackets , and promises to take them down to Seattle and use them to break Starbucks windows
losangeleskings receives sweetstrife from bluejackets
bluejackets receives Mootux from losangeleskings
bluejackets receives im_turning_into_moss from losangeleskings
bluejackets receives Bhelliom from losangeleskings
bluejackets receives Boii1209 from losangeleskings
bluejackets receives WorldRallyBlues from losangeleskings
The Rainbow Bar and Grill moved to Columbus. The Rock and Roll Hall of Fame moved to Los Angeles. Harvey Weinstein lifetime banned from entering Ohio.
/sabres receives Mercpool87 from /penguins
/sabres receives DL757 from /penguins
/sabres receives armagev17 from /penguins
/penguins receives shadowzeak from /sabres
/penguins receives Uncle_Gazpacho from /sabres
penguins receives the city of Buffalo, and the Buffalo Bisons u/armagev17 receives a full NTC
hawks receives spicy-succ from newyorkislanders
hawks receives PracticallyCanadian7 from newyorkislanders
newyorkislanders receives IAmQueensBlvd31 from hawks
/NewYorkIslanders receive courtiebabe420's old Jay Cutler jersey
/Hawks receive TheBossJarhead's old John Tavares jersey
penguins receives cgreen727 from coyotes
coyotes receives BoBandy35 from penguins
coyotes receives TheStigofKentucky from penguins
coyotes receives brendan0305 from penguins
coyotes get Phil Kessel's old house for u/bonzaijoe
penguins get an old Phil Kessel hotdog wrapper for u/armagev17
coloradoavalanche receives Freaaak55 from sanjosesharks
sanjosesharks receives SlipperyInNet from coloradoavalanche
goldenknights receives AnAngryAnimal from wildhockey
goldenknights receives CommanderCorndog from wildhockey
wildhockey receives moosepile from goldenknights
Minnesota sends Mild hot sauce to Vegas. Vegas issues a written apology for having done it to GMCF so hard in the expansion draft
flyers receives pelliffe11 from devils
devils receives MrMeSeeds from flyers
Flyers also receive Apple Watch to log "fitness"
canucks receives thronelol from caps
canucks receives mataleon07 from caps
canucks receives camelCaseNoob from caps
caps receives IGotThisFromEbay from canucks
caps receives Crazymoney74 from canucks
caps receives spacppl from canucks
caps receives flyingsub from canucks
caps receives BraqAttack from canucks
bluejackets receives FewWatermelonlesson7 from wildhockey
wildhockey receives AntiPrince from bluejackets
Minnesota admits that they are not, in fact, Canadian. The Blue Jackets admit that the Cleveland Indians ownership is dumb and stupid.
goldenknights receives svartkonst from dallasstars
goldenknights receives scoutcjustice from dallasstars
goldenknights receives FuckItHaveAnUpvote from dallasstars
dallasstars receives Sumdood88 from goldenknights
And a promise to get Drokeep out of Philly
detroitredwings receives quantumking_ from wildhockey
detroitredwings receives Zushenko from wildhockey
wildhockey receives Detonation from detroitredwings
DET acquires: Burning Brothers Brewery
MIN acquires: 5 lbs of mackinac fudge
sabres receives TurtleWithATail from canucks
sabres receives MirandaGemini from canucks
canucks receives KEWLCactus from sabres
Vancouver receives both the American and Canadian sides of Niagara Falls.
Buffalo receives 2000 lbs of salmon (wild) and the rights to Seattle as a rival.
losangeleskings receives wyattgbert from detroitredwings
detroitredwings receives Arelfel from losangeleskings
/detroitredwings receive Angel City Brewery
/losangeleskings receive a random parking lot attendant
penguins receives Dragarien from detroitredwings
penguins receives drock21023 from detroitredwings
detroitredwings receives byfugWIN from penguins
/detroitredwings receive Croakers Brewing
/penguins receive an old concession stand from Joe Louis Arena
detroitredwings receives Gamogi from edmontonoilers
detroitredwings receives LLbnjt99 from edmontonoilers
detroitredwings receives rdayrien from edmontonoilers
detroitredwings receives saltydingus from edmontonoilers
edmontonoilers receives Ohgodwhatisthisidont from detroitredwings
edmontonoilers receives iFuktUrMom from detroitredwings
edmontonoilers receives BylerTertuzzi from detroitredwings
detroitredwings receives the Alley Kat Brewing Company.
habs receives NontransferableApe from bluejackets
bluejackets receives Toaster_Coaster from habs
bluejackets receives gryff_ from habs
hawks receives BoltsGoalieGirl from tampabaylightning
hawks receives DoinWhale from tampabaylightning
hawks receives xW52 from tampabaylightning
hawks receives KatWantsToBattle from tampabaylightning
hawks receives J_Mark13 from tampabaylightning
tampabaylightning receives GRAIN_DIV_20 from hawks
tampabaylightning receives drmatt19 from hawks
tampabaylightning receives freezend from hawks
tampabaylightning receives burtsreynoldswrap from hawks
tampabaylightning receives keister_TM from hawks
TB receives: The best Chicago deep dish pizza for the staff + a shipment of Old Style
CHI receives: The best Cuban subs for the staff + a shipment of Yuengling
dallasstars receives Drokeep from flyers
flyers receives Sumdood88 from dallasstars
goldenknights agrees to renounce all present and future claims to Bryce Harper
dallasstars recieves Chance the Gila Monster from Vegas
tampabaylightning receives CluelessNuggetOfGold from detroitredwings
tampabaylightning receives canbehazardous from detroitredwings
tampabaylightning receives DarkRitNighthawk from detroitredwings
tampabaylightning receives SlenderSpenser from detroitredwings
tampabaylightning receives Datsyuk1998 from detroitredwings
detroitredwings receives westofvenus from tampabaylightning
detroitredwings receives SuperSniper4 from tampabaylightning
detroitredwings receives deeyaz from tampabaylightning
/detroitredwings receives Cigar City Brewing
/tampabaylightning receies a C8 Corvette in blue and a case of Vernors
goldenknights receives obelisk29 from tampabaylightning
goldenknights receives cm17cm17 from tampabaylightning
goldenknights receives MrTubzy from tampabaylightning
goldenknights receives justincase_2008 from tampabaylightning
goldenknights receives lorenzovonmaterhorn from tampabaylightning
tampabaylightning receives GhostlyPixel from goldenknights
tampabaylightning receives Hollywood_Zro from goldenknights
tampabaylightning receives WoomyNgyes from goldenknights
tampabaylightning receives Byers346 from goldenknights
tampabaylightning receives KelaSaar from goldenknights
TB receives: Tickets to a Vegas show to be named later
VGK receives: Future Considerations
submitted by DeadlineCommish to hockey [link] [comments]

Casino de Hull sector bookings/experiences mesures santé publique

I want to book spots for the Quebec casino next weekend. A mask will be worn the whole time there, I always carry alcohol gel, and with capacity limits I am not too worried with physical distancing.
I wanna know if anyone knows what sectors are good to book for someone into traditional slots like the mechanical reels and the video reels without all sort of complicated winning combos. I don’t mind video reel slots but I hate the multi-game card game machines so I don’t want to waste my time booking space in there. I also like the cheaper slots that allow you to do 1-5c bet per line and cover all the minimal lines per bet. I also like the following machines: Heidi Beer Haus, Quick Hit, and Power Wheel. I do recall these being in a similar part of the casino when I was there last but not sure what sector that would be in under the new regime. I am definitely not interested in spending my entire night in “La Zone” tabarnak!
What would be a good sector for me to reserve based on the new system? I’m also open to booking an hour in one and an hour in another! Anyone been there during the new public health measures and can share experiences especially on the sectors? I do not live In Ottawa and haven’t been for quite a while...Thank you!
submitted by m2knet to ottawa [link] [comments]

I see a lot of LP collections posted here. Does anyone appreciate a well organized digital collection?

1965 Jokers Wild (Dave Gilmour)(320)
1966 Tonite Let's All Make Love in London
1967 Arnold Layne
1967 Relics
1971 Pink Floyd - Relics (Remaster AU 1987 CDAX 701290)
1967 Scream Thy Last Scream
1967 See Emily Play & Scarecrow EP (Remaster UK 2007 Bonus CDM 40th ADEd. 50999 5 03919 2 9)
1967 The Piper At The Gates Of Dawn (UK Stereo First Pressing 24bit-96khz)
1968 A Saucerful of Secrets
1968 Pink Floyd - A Saucerful Of Secrets (Remaster Japan 1988 CP32-5272)
1968 It Would Be So Nice
1968 Point Me at the Sky
1969 OST More (Remaster Japan 1987 CDP 7 46386 2)
1969 Soundtrack From The Film More
1969 Ummagumma
1969 Zabriskie Point e Ultimate Z. P
1969 Ultimate Zabriskie Point [FLAC]
1970 370 Roman Yards 1970 (The Lost Zabriskie Point Album) [MP3]
1970 Pink Floyd - Atom Heart Mother (Remaster US 1994 UDCD 595)
1970 Pink Floyd - Atom Heart Mother (UK LP EMI Harvest SHVL 781 24bit-96khz)
1970 Roger Waters - Music From The Body (Soundtrack)(320)
1970 Syd Barrett - Barrett
1970 Syd Barrett - The Madcap Laughs
1971 Pink Floyd - Meddle (Remaster Japan 1988 UDCD 518)
1971 Meddle - 24-96 Vinyl Rip (FLAC)
1971 One Of These Days Single Vinyl 7 (Italy 1971 EMR-20388)
1972 Pink Floyd - Obscured By Clouds (Remaster US 1987 CDP 7 46385 2)
1973 Money Vinyl 12 (Remaster Netherlands 1981 Vinyl 12 1A K052Z - 78068)
1973 The Dark Side of the Moon - (Vinyl LP 24-96 UK Remaster 30 Harvest SHVL 804 24Bit 96kHz) - 200g Vinyl Rip (FLAC) - Audiophile MFSL Pressing VINYL {FR1 Cartridge SYBORG} - Unreleased Tracks
1975 Wish You Were Here
1975 Pink Floyd - Wish You Were Here (Remaster UK 1984 CDP 7 46035 2) & Unreleased Tracks
1977 Animals- (2016 Master) VINYL {FR1 Mk3 Cart} - (2016 Master) VINYL {Stanton 881 Cart} - (Remaster US 1985 CK 34474) - (Vinyl LP 24-96 US Columbia First Pressing JC 34474 24Bit 96kHz)
1978 David Gilmour - David Gilmour
1978 Rick Wright - Wet Dream
1979 The Wall - (Remaster Germany 2007 2xCD CDS 7 46036 8) - (Remaster US 1989 2xCD UDCD 2-537) - US UltraDisc 2CD- (UK Vinyl 2xLP 24-96 SHDW 411 24Bit 96kHz) - The Wall Work In Progress
1981 Nick Mason's - Fictitious Sports
1983 Not Now John Vinyl 7 (UK 1983 HAR 5224)
1983 The Final Cut (Remaster EU 2007 Oh By The Way Boxset CD14 50999 511267 2 8, 511 2672)
1983 The Final Cut (US 1983 QC 38243)
1984 David Gilmour - About Face
1984 Rick Wright - Zee Identity
1984 Roger Waters - The Pros And Cons Of Hitch Hiking
1986 Roger Waters - When The Wind Blows
1987 A Momentary Lapse Of Reason - [1987] [FLAC] - [2019] Remix
1987 Roger Waters - Radio K.A.O.S. (320)
1992 Roger Waters - Amused To Death
1994 High Hopes & Keep Talking (France 1994 CDM 881 777 2)
1994 Take It Back (Netherlands 1994 CDM 7243 8 81278 2 0)
1994 The Division Bell - (2014) [HD Tracks] 24.96 - (Japan 1994 SRCS 7324) - [UK 1994 Vinyl 24-96 EMD 1055]
1996 Rick Wright - Broken China
2002 Roger Waters - Flickering Flame
2004 Roger Waters - To Kill The Child & Leaving Beirut (Single)(320)
2005 Roger Waters - Ca Ira
2006 David Gilmour - Arnold Layne EP
2006 David Gilmour - On An Island
2006 Smile (1-Track EU Promo CD Single)(320)
2006 Smile (2-Track EU CD Single)(320)
2007 Roger Waters - Hello (I Love You)(Single)(192-320)
2010 The Orb and David Gilmour - Metallic Spheres
2014 The Endless River
1967-03-18 My Uncle Is Sick Because The Highway Is Green
1967-09-13 Starclub, Copenhagen
1967-09-25 BBC Playhouse Theater, London (BBC Sessions)
1967-10-30 Games for May - England
1967-11-13 Ahoy, Rotterdam, NL
1968-02-24 Bouton Rouge
1968-05-06 First European International Pop Festival, Piper Club, Rome
1968-05-23 Paradiso, Amsterdam (Late Show)
1968-07-27 Shrine Exposition Hall, Los Angeles
1968-12-28 Margriethal, Jaarbeurs, Utrecht
1968-12-28 Owed To Syd Barrett
1969-03-27 Saint James Hall, Chesterfield, England
1969-04-14 Royal Festival Hall, London
1969-04-27 Careful With These Tracks
1969-05-09 University Of Southampton, Hampshire, England
1969-06-22 Free Trade Hall, Manchester, England
1969-06-26 Royal Albert Hall, London
1969-08-08 The Journey Through the Past
1969-08-09 The Paradiso, Amsterdam - Celestial Instruments
1969-09-17 Amsterdam '69 (TSP-CD-052) 1990 [VBR]
1969-09-17 Complete Concertgebouw
1969-10-11 Song Days Festival, Essen
1969-10-19 Around the Mystic - London
1969-10-25 Interstellar Zappadrive - Mont de L'Enclus, Amougies, Belgium
1969-11-21 Montreux Switzerland
1969-12-06 Afan Lido Sports Center, Port Talbot, Wales
1969-71 Echoes Of Atom Heart Mother
1969-73 Rare & Live Tracks - 3cds
1970 - 1971 Eclipse (2001)
1970 Fat Old Gigs 4cd
1970 Pepperland In The West
1970-01-18 Fairfield Hall, Croydon, Surrey
1970-01-23 Hotel de Champs-Elysees a Paris, Paris
1970-02-11 Town Hall, Birmingham
1970-02-28 Refectory Hall, Leeds University, Leeds, Yorkshire
1970-03-12 A Trick of the Light
1970-03-13 The Injustice of a Kaleidoscope Sound
1970-03-14 Meistersinger Halle, Nuremberg
1970-03-15 Niedersachsenhalle, Hannover
1970-03-20 Akademiske Foreningens Store Sal, Lund, Sweden
1970-04-11 Gymnasium, SUNY, Stony Brook, NY
1970-04-22 Capitol Theater, Port Chester, NY
1970-04-29 [HRVCDR016] Interstellar Fillmore - San Francisco, CA
1970-04-30 [HRVCDR034] - KQED
1970-05-01 Civic Auditorium, Santa Monica, CA
1970-06-27 Bath Festival Of Blues And Progressive, Shepton Mallet, Bath
1970-06-28 Holland Pop Festival, Kralingen, Rotterdam (JFE remaster)
1970-07-12 Open Air Pop Festival Aachen, Aachen Soerser Stadium
1970-07-16 Focus - Paris Theater, Regent Street, London, England - BBC FM
1970-07-16 Libest Spacement Monitor (TSP-CD-027 1989)
1970-07-16 Mooed Music - BBC Session Live, Paris Cinema, London
1970-07-18 Hyde Park, London
1970-08-08 Les Nuits Musicales, Saint Tropez (Pop 2 TV Show)
1970-09 & 1971-03 - Eclipse - APE
1970-09-12 Parc De Vincennes, Paris
1970-09-16 Pink Is The Pig (Live In London)
1970-09-16 Pink Floyd - Focus 1971 [FM]
1970-09-16 Playhouse Theatre, London
1970-09-16 Rhapsody In Pink (Italy 1990 LLRCD 044)
1970-09-26 Electric Factory, Philadelphia, PA
1970-09-27 Fillmore East, New York City, NY (Early Show)
1970-10-17 Pepperland Auditorium, San Rafael, CA
1970-10-23 Creatures Of The Deep Disc 1-3
1970-10-23 Santa Monica Civic Auditorium, Santa Monica, CA
1970-11-06 Mind Your Throats
1970-11-07 Grote Zaal, De Doelen, Rotterdam
1970-11-11 Conserthuset, Gothenburg
1970-11-12 Falkoner Centret, Fredriksberg, Copenhagen
1970-11-13 Vejlby Risskovhallen, Aarhus
1970-11-14 Ernst-Merck-Halle, Hamburg
1970-11-21 Smokin' Blues (Montreux Casino, Montreux )
1970-11-22 Altes Casino, Montreux - Swiss Made
1970-11-25 Fridrich Ebert Halle, Ebertpark, Ludwigshafen
1970-11-26 Messehallen, Stuttgart
1970-11-29 Circus Krone, Munich
1970-12-22 City Hall, Sheffield
1971 Atom Heart Mother Goes On The Road
1971-02-12 Lecture Theatre, University Of Essex, Colchester
1971-02-13 Students Union Bar, Technical College, Farnborough
1971-02-25 Grosser Saal, Musikhalle, Hamburg
1971-02-26 Stadthalle, Offenbach
1971-04-03 Oude Ahoy, Rotterdam
1971-05-15 Crystal Palace Garden Party, London
1971-05-18 Pathfoot Building Refectory, Stirling University
1971-06-04 Philips Veranstal Tungshalle, Dusseldorf
1971-06-05 Echoes - The Return of the Son of Nothing (West Berlin)
1971-06-05 Sportspallast, Berlin - Mauerspechte
1971-06-05 Vierundzwanzig Teile von Nichts (HRV-CDR-029)
1971-06-12 Palais Des Sports, Lyon
1971-06-19 Palazzo Delle Manifestazioni Artistiche, Brescia
1971-06-20 Palaeur, Rome
1971-06-26 Amstel Free Concert, Amsterdamse Bos, Amsterdam
1971-07-01 Ossiach Festival Stitschoff, Ossiach
1971-08-06 Hakone Aphrodite, Hakone, Japan
1971-08-09 Festival Hall, Osaka
1971-08-13 Festival Hall, Melbourne
1971-09-18 Live in Montreux
1971-09-23 KB Hallen, Copenhagen
1971-09-30 Meddled
1971-09-30 Meddler
1971-09-30 One Of These Days (TSP-CD-034 1989)
1971-09-30 Paris Cinema, London
1971-10-04 HRVCDR010 - Pompeii Rev B
1971-10-04 Live at Pompeii - Remains
1971-10-04 Pompeii (Remaster Netherlands PFP-A0118)
1971-10-04 to 07 In The Shadow Vesuvius - Italia
1971-10-04 Volcanic Destruction
1971-10-07 Live At Pompeii
1971-10-10 Great Hall, Bradford University, Bradford, Yorkshire
1971-10-16 The Eye of Agamotto - Civic Auditorium, Santa Monica
1971-10-17 Convention Hall, Community Concourse, San Diego
1971-10-17 From Oblivion
1971-10-17 Wind And Seabirds - Convention Hall, San Diego
1971-10-27 Auditorium Theatre, Chicago, IL
1971-10-28 Hill Auditorium, Ann Harbor, MI
1971-10-31 Fieldhouse University Of Toledo
1971-11-05 Hunter College - New York City, NY
1971-11-06 Case Western Reserve University, Cleveland, OH
1971-11-10 Labyrinths - Pavillion De La Jeunesse, Quebec
1971-11-12 Irvine Auditorium, State University, Philadelphia, PA
1971-11-16 Something from Nothing
1971-11-16 The Return of the Sons of Nothing
1971-11-20 Embryonic Madness
1971-11-20 One Of Those Days
1971-11-20 Taft Auditorium, Cincinnati, OH
1971-11-20 Taft Auditorium, Cincinnati, OH (2-source blend)
1972-01-20 The Darkside Rehearsals - Brighton Dome, Brighton, England
1972-01-21 The Guildhall, Portsmouth
1972-01-22 Eclipse Of The Dark Side - Winter Gardens, Bournemouth (Recorder 2)
1972-01-22 The Dark Side Winter Gardens - Bournemouth (Recorder 1)
1972-01-23 Gathering On The Moon - The Guildhall, Southampton
1972-01-27 Waiting for The Moon - City Hall, Newcastle-Upon-Tyne
1972-01-28 You Are Number Six - Refectory Hall, Leeds University, Leeds
1972-02-17 - Rainbow Tapes Day 1
1972-02-18 - Rainbow Tapes Day 2
1972-02-19 - Rainbow Tapes Day 3
1972-02-20 - Rainbow Tapes Day 4
1972-02-19 Finsbury Park - Disc 1
1972-02-20 Finsbury Park - Disc 1
1972-02-20 The Best Of Tour 72 (TSP-CD-049 1990) [VBR]
1972-03-06 Acid Moon - Taiikukan, Tokyo, Japan
1972-03-08 Natural Dark In Osaka. Japan
1972-03-09 Echoes From Osaka
1972-03-13 The Dark Side Of The Ice - Saporro, Japan
1972-03-13 The Great Gig On The Moon
1972-04-28 Chicago
1972-05-21 2nd British Rock Meeting - Germersheim, Germany
1972-06-28 Eclipsed By The Dome - Brighton [MP3]
1972-09-22 Hollywood Bowl, Hollywood, CA
1972-09-22 Staying Home To Watch The Rain[VBR]
1972-10-21 The Oxfam Concert - London [MP3]
1972-11-15 Echoes Of The Past, Sporthalle Böblingen, Stuttgart, Germany
1972-11-15 The Great Gig In Böblingen
1972-12-01 Harsh Realities [Stereo Tweaked]
1972-12-09 - In a Neutral Land - Zurich - Suiça (FLAC)
1972-12-12 Across The Swiss Border
1972-73 Nebulosity
1972-73 The Great Gig In The Sky (UK Unofficial SSR 41925)
1973-03-06 The Valley Of The Kings
1973-03-11 Yeeshkul!
1973-03-14 Live Music Hall - Boston, MA
1973-03-15 Dark Soundboard of Philadelphia
1973-03-17 Dark Side of Radio City
1973-05-19 Supine in the Sunshine
1973-06-17 On Stage Saratoga NY
1973-06-20 Breaking Bottles In The Hall
1973-06-20 Merryweather Post Pavillion, Columbia, MD
1973-06-29 When You're In...Tampa
1973-10-13 Set The Controls... - Vienna [MP3]
1973-11-04 Obscured At The Rainbow [VBR]
1974-06-24 Shine On Paris
1974-11-15 Black Holes In The Sky
1974-11-15 Work in Progress
1974-11-16 BBC Archives (HRV CDR 033)
1974-11-16 No Room Upon The Hill
1974-11-16 Time In London
1974-11-16 Wembley MTX-V2
1974-11-16 Wembley Pre FM-Master
1974-11-16 Wembley Wizards
1974-11-17 Getting Better All The Time
1974-11-28 Empire Theatre
1974-12-09 Manchester Day '74
1974-12-14 Stairstep To Abandon - Bristol, England [Vinyl]
1975-04-08 Azimuth Coordinator Pt. 1
1975-04-13 Riding The Cow.Cow Palace,California,USA
1975-04-26 Cruel But Fair
1975-04-26 Dogs And Sheep
1975-04-27 Hogs in Smog
1975-04-27 Los Angeles, CA master
1975-06-15 Faster Jersey
1975-06-15 Jersey Not Mother
1975-06-16 Random Precision
1975-06-18 Boston Garden Matrix Version
1975-06-18 Boston Gardens
1975-06-18 Crazy Diamonds [VBR]
1975-06-18 Echoes In The Gardens
1975-06-22 Heavy Rain
1975-06-28 Master Reel - Ontario (RTR-DAT-Source 2) (flac)
1975-80 - Azimuth Coordinator 1975 a 1980 (6CD box 1998)
1977-01-05 Iron Pigs On Fire - Fort Worth, Texas
1977-01-23 - If Pigs Could Fly
1977-01-23 Bugger's Eyes
1977-01-29 Desk Pig In Berlin
1977-01-30 Absolut Floyd
1977-01-30 Hunting Animals - Berlin, Germany
1977-02-01 Test Flight - Vienna, Austria
1977-02-20 Animals In Belgium - Antwerpen [FLAC]
1977-02-20 Ducks On The Wall
1977-02-20 Thirteen
1977-02-22 Dragged Down By The Stone
1977-02-22 Pavillion de Pigs
1977-02-27 Animals On The Wing
1977-04-22 Hurricane Floyd Hits - Miami FL
1977-05-01 Iron Pigs On Fire
1977-05-09 Animal Instincts
1977-05-09 Mr Pig - Oakland [MP3]
1977-06-19 Chicago '77
1977-06-19 Soldier Field, Chicago, IL (1st gen Charly C.'s tape - source 1)
1977-06-27 Boredom and Pain (Boston Gardens)
1977-06-27 Boston Garden, Boston, MA - The Perfect Day (FLAC)
1977-06-27 Boston Garden, Boston, MA (Lampinski)
1977-06-27 Pink Floyd 1977-06-27
1977-07-01 Live at Madson Square Garden
1977-07-02 In the Grassland Away
1977-07-02 Live at Madson Square Garden
1977-07-02 Prog King - Madison Square Garden
1977-07-02 Welcome To The Machine
1977-07-03 Madson Square Garden - New York
1977-07-03 Pigs Might Fly
1977-07-04 Sheep Independence Day (FLAC)
1977-07-06 Azimuth Coordinator Pt. 2 - Last Animals
1977-07-06 Fire Works Show In The Canadian Walls
1977-07-06 Montreal
1977-07-06 Who Was Trained Not To Spit On The Fan
1980-01-01 The Wall Rehearsals 1980
1980-02-07 Azimuth Coordinator Pt. 3 - flac16
1980-02-08 Little Black Book With My Poems In
1980-02-27 The Wall Live In Nassau
1980-02-28 Nassau - Coliseum - NY
1980-08-09 Soundboard on the Wall - Earls Court, London, England
1980-1981 Is There Anybody Out There The Wall Live
1981-02-19 Tear Down The Wall
1981-02-20 The Sixth German Show-Westfalenhalle, Dortmund
1981-02-20 Westfallenhalle,Dortmund, Germany
1981-06-16 Earl's Court, London (Watching The World Upon The Wall)
1984-04-30 (Gilmour) Live At The Hammersmith Odeon (London )(320)
1984-05-22 (Gilmour) Beacon Theater - New York City-NY
1984-06-16&17 (Waters w. Clapton) Sidewinder (Stockholm)
1984-06-29 (Gilmour) New Game - Berkeley [FLAC]
1984-07-12 (Gilmour and Friends) In Floyd We Trust (320)
1984-07-12 (Gilmour) Westwood One Concert (48kHz)(320)
1984-07-18 (Waters) Eric the Player, Roger the Singer
1985-03-20 (Waters) Live Radio City Music Hall, NYC [FM]
1985-03-28 (Waters) Complete Hitch Hiking Perfomance
1987-09-16 Echoes By The Lake Disc 1-3
1987-09-19 Prism
1987-11-01 Live at the Orange Bowl, Miami
1987-11-07 (Waters) Goodbye Mr. Pink Floyd (Remaster)
1987-11-30 MONEY GOES WEST - (The Sports Arena - Los Angeles, California)
1988 Delicate Sound Of Thunder (UK 7914802)
1988-02-19 Live in Melbourne (SOUNDBOARD)
1988-02-19 Melbourne - Soundboard Recording
1988-02-19 Tennis Center, Melbourne
1988-07-08 Nothing Is Changed (Modena, Italy) [VBR]
1989-06-12 Globe Arena, Stockholm
1989-06-13 Globe Arena, Stockholm
1989-06-14 Globe Arena, Stockholm
1989-07-01 Palais Omnisport de Paris Bercy, Paris, France
1989-07-15 Live In Venice 1989 {FLAC]
1989-07-15 Venice, Grand Canal
1990 (Waters) The Wall - Live In Berlin
1990-06-30 Of Promises Broken
1990-06-30 The Knebworth Tales
1994-03-30 Miami - The Live Bell
1994-04-16 Your Favorite Disease
1994-04-21 Pigs Over The San Francisco Bay
1994-04-21 They're Blowin Me Away - Oakland Master DAT
1994-05-31 3 Pigs At 3 Rivers
1994-06-11 The Bell Gets Louder
1994-07-18 By The Light Of The Silvery Moon
1994-08-13 The Sound Surrounds
1994-09-04 Softly Spoken Magic Spells - Feyenoord [MP3]
1994-09-13 A Night In Italy
1994-09-13 A Passage Of Time
1994-09-15 Udine - Italy
1994-09-19 - The Nights Of Wonder
1995 Pulse
1995 Wish You Were Here Live (CDM 7243 8 82207 2 9)
2000 (Waters) In The Flesh (Live)
2001-06 2002-01 David Gilmour in Concert (320)
2002-03-05 (Waters) The Happiest Night of Our Lives - National Stadium, Santiago
2005-07-02 Live 8 Reunion
2006-03-07 (Gilmour) Mermaid Theatre - London
2006-03-19 (Gilmour) Regathering Our Senses - Heineken Music Hall, Amsterdam [FA025]
2006-05 (Gilmour) 2007 - Remember That Night
2006-07-29 Happy Birthday Dear Richard (Archive Konigsplatz Munich rec 4)
2006-08-26 (Gilmour) Live In Gdansk
2006-12-07 (Waters) Milan, Italy FM
2007 (Gilmour) 4 Tracks Live From Abbey Road (US Promo CD Single)(320)
2007-03-14 (Waters) 50000 Lunatics on The Grass Chile '07
2007-07-07 (Waters) Live Earth 2007
2008-06-15 (Gilmour) Ron's Psychedelic Supper Vol.2
2010-07-10 (Waters & Gilmour) The Hoping Foundation (320)
2010-09-15 (Waters) The Wall Live - Air Canada Centre, Toronto, ON
2010-09-16 (Waters) The Wall Live - Air Canada Centre, Toronto, ON
2010-09-18 (Waters) The Wall Live - Air Canada Centre, Toronto, ON
2010-09-20 - Roger Waters - The Wall - Chicago [MP3]
2010-12-18 (Waters) Flickering Flames On The Wall - Palacio De Los Deportes, Mexico D.F
2010-12-19 (Waters) Flickering Flames On The Wall - Palacio De Los Deportes, Mexico D.F
2010-12-21 (Waters) Flickering Flames On The Wall - Palacio De Los Deportes, Mexico D.F
2011-03-25 (Waters) Madrid - Experimento
2011-05-15 (Waters) Live At O2 Arena, London, England
2017 Live at Pompeii [FLAC]
David_Gilmour - Live Tracks - MP3
1965 - Syd Barrett - Lucy Leave and Other Rarities [FLAC,Tracks]
1965-95 - Pinkie Milkie - Rarities Compilation
1966-67 London '66 - '67 (UK 1995 CDM SFMDP 3)
1966-67 Psychedelic Games for May
1966-71 Sophisticated Colours
1966-94 Early Flights Disc 1-10
1967 Reaction In G
1967-69 Music For Architectural Students
1967-71 Antiques- A Rare Collection of Oddities
1967-71 Antiques And Curios
1967-87 A CD Full Of Secrets
1968 Tonite Let's All Make Love in London OST
1968-69 The Embryo (TSP-CD-020 1989) [VBR]
1968-70 - Old Symphonies 1968-1970 - FM
1968-70 Ultra Rare Trax Vol. 1-3
1968-71 Spiral
1968-74 From Underground To The Moon
1969 - High Time
1969 - The Complete Zabriskie Point Sessions
1969-70 Omay Yad
1969-99 - Roger Waters - Rarities Vol 1-3
1970-71 - Syd Barrett - The Radio One Sessions
1971-72 Studio Outtakes & Demos
1972-06 From the Other Side (DSOTM Outtakes)
1975 - Tour Comic book
1975-76 Abbey Road to Britannia Row The Extraction Tapes (2014)
1978 The Wall- Under Construction
1978-79 Building The Wall
1979 Every Brick In The Wall (outtakes)
1980 - The Wall - Original Film Sessions 1980
1980 The Wall (Demos)
1982 The Final Cutting
1987 A Momentary Lapse of Reason Live Official Tour CD (Demonstration Not For Sale)
1987 One Slip CDM (UK 1987 CDEM 52)
1988 - A Momentary Lapse Of Reason (Official Tour CD)_flac
1990-05-02 - Roger Waters - The London Rehearsals 1990
1994 - Just Warmin Up - The Rehearsals in Tampa - 1994
Pink Floyd - Just Warming Up (Tampa 1994 )
1996 Pink Floyd & Friends - Interstellar Overdrive (Canada 1996 PS-NEMS 1001-2)
2001 Pink Underground
2005...A Desperate Attempt of Perfection
2010 - Roger Waters - Is It The Fifth
A Tree Full Of Secrets (18xCD Box Rarities)
Have You Got It Yet
2008 Have You Got It Yet v2
HYGIY v2.0 Vol. 1
Live Anthology
Roger Waters - Rarities Vol 1-3
Secret Rarities (2014
Star Profile - audio documentary
Variations on a Theme of Absence 8-CD
1965-72 The Early Years Limited Edition 10CD [FLAC]
1967 The First 3 Singles (Remaster UK 1997 7243 8 59895 2 0)
1967 The Syd Barrett Tapes
1967-11-17 The First Singles
1967-1973 - Anthology II [HL 325-326]
1967-68 Masters of Rock
1967-68 The Early Singles (EU 1992 0777 7 80572 2 2)
1967-71 The Complete BBC Sessions
1967-93 - Total Eclipse - A Retrospective 1967-1993 - Italy
1981 A Collection Of Great Dance Songs (Remaster Japan 2001 TOCP-65744)
1983 Works (US 1983 CDP 7 46478 2)
1988 - Syd Barrett - Opel
1992 - La Carrera Panamericana
1992 - Syd Barrett - Octopus
1995 - Greatest Hits 3 - Post Pink - 1995 - MP3.320kbps
1999 - Legendary Rock Stars - Greatest Hits
2001 - Echoes The Best Of Pink Floyd (US 2001 2xCD CDP 7243 5 36111 2 5)
2003 - Roger Waters - Flickering Flame (320)
2007 - David Gilmour - Take a Best (Bootleg)(320)
2007 - Greatest Hits - Star Mark - 320Kbps
2010 - Syd Barrett - An Introduction to Syd Barrett (2010)
2011 - CD Sampler - 2011
Syd Barrett - Wouldn't You Miss Me -The Best of Syd Barrett
1994 Dark Side Of The Moon -[Trance]
1994 Wish You Were Here [Trance]
1995 Meddle (Trance Remix)
1998 A Momentary Lapse Of Reason (Trance)
2000 Welcome to the Remix
2003 Easy Star All Stars - Dub Side of the Moon
2003-01-01 - The Floydian Propulsion Project
2004 Out There
2005 The Dark Side Of A Dream [320]
2006 DJ Fish Remixes
2006 Pink Floyd & Eric Prydz - Proper Education
2010 DSotM - Moon8 - 8 bits
1995 The London Philharmonic Orchestra - The Music Of Pink Floyd
2002 Pigs and Pyramids An Allstar Lineup Performing the Songs of Pink Floyd
2005 The Piano Tribute To Pink Floyd
2006 Rockabye Baby! Lullaby Renditions of Pink Floyd
1988 - Audio Documentario - Star Profile
2002 - Wish Youd Been Here - The Pink Floyd Story - Radio BBC
1974 - Tour Comic - 1974
1976 - Songbook
1987 - Songbook (VictorF)
2000 - Guitar Tab Anthology
submitted by pslickhead to pinkfloyd [link] [comments]

Album of the Year 2019 #26: Men I Trust - Oncle Jazz

Album of the Year 2019 #26: Men I Trust - Oncle Jazz
Hello everyone and welcome back to Album of the Year 2019, the yearly series where the users of indieheads talk their favorite albums of the year. Up today, simonthedlgger goes in-depth on the massive Oncle Jazz from Men I Trust.
Artist: Men I Trust
Album: Oncle Jazz

https://preview.redd.it/8af3n1rzi0741.jpg?width=1200&format=pjpg&auto=webp&s=6e1d4a18f7bb2aa4c7332be7e2042a41af87aa34
Listen:
Bandcamp
Spotify
Youtube
Apple Music
Interlude
I can’t believe the odds. It’s December 26th, my favorite holiday not named Halloween. A day of leftovers and familial decompression. Outside, the year is ending. Pine trees, some still webbed with lights, lay on sidewalks.
Historically, December 26th is grey and cloudless. Cold, but not necessarily wintry. A void of a day, ideal for lounging and reflection.
“Have a lay in,” says the universe.
On December 26, it is constantly evening.
And now, there is a playful bounce of synth, murmuring bass like a bear waking from a long nap ... a swell of brightness:
“You’re listening to Oncle Jazz .”
Allow yourself, listener, for seventy ephemeral, December 26th minutes, to be swept away in jazzy philosopop fantasy. All smiles, slide across the kitchen floor in your brand new socks, treat yo self to a warm beverage and snacks, nest in bed as opening titles fade like a path into the deep forest.
I can only suggest you take that path. We’re about to Oncle Jazz.
Background
Men I Trust are a three piece indie pop band from Montreal, Quebec, Canada. The band was established by producemulti-instrumentalist Dragos Chiriac and bassist Jessy Caron in 2014. The pair released their self-titled debut that year, followed by Headroom in 2015, both of which featured numerous guest vocalists. After guitarist Emma Proulx became the permanent singer of Men I Trust, the band put out a series of successful singles from 2016 through early this year. After a few delays, Men I Trust released their third full length album and first as a trio on September 13, 2019.
Review by simonthedlgger

Men I Trust Radio

It’s easy to view Men I Trust as more “chill but danceable” Spotify recommendation-core. The formula is simple enough: breathy vocals over sustained synth, walking bass with jazz and/or R&B flavour, restrained rhythm section. Elevator music, if the elevator were taking you up to a Blockbusters/indie bookstore combo in the heart of Bushwick.
Except, this is not our stop. Ours is an elevator ascending the Ivory Tower, granting us view of all Fantasia. Our elevator alights the lobby of the Tranquility Base Hotel and Casino, where Men I Trust and The Martini Police tradeoff headlining gigs.
On closer inspection, Men I Trust’s music is neither simple nor restrained (though, production is artfully subdued throughout). It’s not even very relaxing, only enough to lull you into a vantage from which you feel comfortable enough to see yourself—perhaps for the first time—as something small within something very large, and to realize that largeness is contained within an even larger space, and so on until the mystery swallows you.
(That is not to say Men I Trust do not have their utterly charming moments, i.e. the deliriously joyous sing-along opening of “Days go by and I still don't know how and why I still make my way without you, without you.”)
On Oncle Jazz, Men I Trust plays timewarped pocket groove music, pulling together elements of modern pop, softrock, plenty of jazz (on show in their latest instrumental single, “Alright,”), and of course assorted lofi/synth/indie/sweet dreams pop, to make something distinctive, comforting but unnameable.
Several interludes further expand the scope of the Oncle Jazz structure, from the absurd funk of “Slap Pie” to the smoking “Fiero GT," lest we forget the balletic mystery of closer “Poplar Tree," which would sound fitting over melancholy credits to a Miyazaki film.
There’s a votive quality to the loop-like nature of the band’s arrangements, cycling frames that range in form from waves of Sega ambience to controlled yet driving beats which draw equally on the electronic and organic. So much happens within the confinements of these loops, yet every moment remains isolated, carefully placed. The songs sound like secrets, but not puzzles for the sake of puzzles: there is an answer to every riddle, a worthwhile conclusion.
“We like to use a lot of repetitive movements in melodies and chord progressions to give the songs a prayer-like rhythm,” Dragos told Crack Magazine, describing the band’s desire to draw listeners deeper into their sonic narratives. The recurring musical movements are complemented by an economy of words the band often discusses:
“I will ... find the way in which I can concentrate [a thought’s] meaning, saying the most with the least words. It’s Bernstein’s idea of poetry and it’s also a necessary constraint inherent to the song genre,” Dragos told me. “Sometimes, these ideas end in Men I Trust songs.”
The band takes this minimalist approach to either ends of the spectrum, always leaving room for the listener to process and derive meaning. Compare the simplicity of “All Night” (“You wrap my feet in coloured blankets, so I stay here all night. You keep the one with many moons and stars, it’s always for my shoulders,”) to the stark poetry of “I Hope to be Around” (“I dream of my future, remote from time bounds, becoming myself without any end.”)

Oncle Jazz

The clarity with which Men I Trust operates is evidenced not only in the deliberate arrangements and concise lyricism of Oncle Jazz, but the actual conception of the record. Initially delaying the album after touring prevented the trio from finishing, then calling an audible the night before Oncle Jazz was scheduled for upload to major streaming services, there is never a sense of hurry when discussing Men I Trust. Rather, tranquil precision.
Achieving the ideal mix played a large part in the album’s prolonged incubation, with eight singles being remixed for their place among the 24 track album (several considerably so). The songs settle softly in the mix, warm pop rhythms bouncing off watery jazz. “I don’t think loud songs will give the best listening experience in years to come,” Chiriac told Billboard. I agree: Oncle Jazz invites you to absolutely bump the volume, clarifying the perfectly shaped bass tones and depth of reverb, the myriad details, without going deaf (fun fact, I did a write up on Angel Olsen’s All Mirrors for popheads, and the mixes on these two albums could not be further apart).
On “Seven,” you can hear prospective lovers whispering across a dying campfire. The rustic “Pines” paints an immense but lonely landscape (“She moves like wind by deserted pines who stand tall, unstirred,”).
After completing touring obligations, the band returned to Oncle Jazz. “When we spend too much time on the road, we miss being able to settle, to write and record without disturbance,” Dragos says over email. “Listening to a finished song, or album, is the most fun part of recording.”
Recording for Oncle Jazz took place in the green quiet of rural Quebec, which no doubt influenced the hushed mix (they’ve described the album as consisting of all “winter songs,” which isn’t a bad description by any means, but the undeniable warmth of Oncle Jazz makes one wonder what a summery MIT album sounds like). “It put us in a really different creative mood ... there’s nothing to do outside of the house except for walking and thinking about music,” Proulx said (Billboard). Indeed, the band have frequently described how their music focuses on the ways individuals play a small role within the macroscopic natural world; this sense of humble realization is all over the record. When further pressed, the band typically says songs are simply about friends. The interplay of the cosmic and intimate is one of several unifying threads that elevate Oncle Jazz from a standard LP release to a greater musical movement.
For, Oncle Jazz is its own radio station; at one point on the album, Emma clues the listener in: “You’re listening to Radio Men I Trust,” and I can’t help but responding, “Yes, I sure am,” every time. It’s a station wound in the layered textures of the Arturia Mellotron and Yamaha DX7; though, as with any decent station, there are a bevy of unexpected gifts.

My friend, you know, you had your time awhile..but I'm willing to give you mine.

Late in the Oncle Jazz sequencing comes “Something In Water” like a plaintive siren out of the mists, “In this land with no sea, hoping time forgot me, 'cause I don’t need your love, only your full weight on me.” Guitars take the forefront, a rarity on Oncle Jazz, especially the submerged acoustics and posthardcore/proggy chorus lead that surprises at 2:22.
“Dorian” consists of brilliant world building by the Zora River, recalling dreams of C.R.E.A.M. and nights spent shooting the shit with friends outside the corner store. You’ve heard the chorus melody a million times since you were young, but, no, it’s a melody only Proulx could deliver, her voice resembling bells and woodwinds more than vocals.
“Found Me” sounds like Nirvana. “Say Can You Hear” has that new wave drive.
The groove of “Air” is otherworldly. A mildly brooding verse spills into the euphoric hook: “So I thought you could come over mine...some time. Our loneliness now gone.” As with many Men I Trust songs, “Air” does not fade out, but dances away.

My friend, you have a vivid quill.

Despite the inescapably dreamy qualities of Men I Trust’s oeuvre, there’s a decidedly grounded sense to their work, a desire for clarity -- the contrast brings yet another level to the listening experience, lyricism weaving between daydreaming and existential doubt. “I Hope To Be Around” plays with Platonist-Socratic concepts (“I hope to be around the day we grasp in truth the nature of mind befriending time, in truth,”), though the breadth of lyricism and philosophical ideology (J.S. Mill to Goethe) makes it clear all members contribute to the writing process, questioning many aspects of self-significance and morality.
“For me, these contradictions make for a weird literary genre, at once positing the insignificance of humans and the god-like invulnerability of men and women of good. It’s horrifying and reassuring (the power of truth), sublime (greater than ourselves), and f---g funny,” I’m told. “It’s like watching a horror comedy. It’s a mix of emotions cancelling each other and it leaves me feeling like a blindfolded fool, puzzled with a donkey tail in his hand.” Read through a few Men I Trust songs, and at least one line will leave you handling a donkey tail of your own.
Of course, all Men I Trust lyrics are refracted through Proulx’s mesmerizing vocals. A French speaker, she has described the English language as another instrument (I challenged myself not to use the word ‘ethereal’ in describing her voice. Or ‘gossamer.’ Or ‘gauzy,’ ‘gracile,’ or even ‘as a light rain.’ So, I will not.). Her instrument contains multitudes.

Men I Trust Lives

It’s a bit mystifying to reconcile the immaculate production behind Oncle Jazz and the band’s relentless, globe-spanning touring schedule, delays or not. Men I Trust’s fully realized sound on Oncle Jazz translates beautifully to the stage. “When we spend too much time working on recordings, especially on a long double album, we look forward to getting outside and touring,” they tell me. For Men I Trust, both playing live and recording are exciting paths to becoming better musicians, a thrilling prospect for fans. “The end results of both are especially rewarding.”
Shortly before finishing this write up, I saw the band play a double header at Boston’s Royale and the Sinclair in Cambridge. Men I Trust played as a five piece, yet remained committed to the halcyon aesthetic: a t-shirt remained over the snare for the duration of the set, cymbals were chained, Emma’s vocals were so quiet you couldn’t hear her speak between songs -- even the roaring denouement of a guitar solo that closes “Seven” managed to melt faces without piercing ears.
No, Men I Trust does not make simple, chill out music. They make music difficult to fully grasp, no matter how welcoming the sound, how natural the fit.
Now, our time is at an end.
Favorite Lyrics
I don't want to feel
a world against our love.
I don't want to grow old,
a lone broken heart.
  • "Norton Commander"
I'm happy my home found me,
by which force I do not know.
I found my home and it grows by me in beauty.
  • "Found Me"
In a midway I stand where many stood
only to come home again.
Walking through these streets I know too well
but my thoughts stray away..
I dream of my future, remote from time bounds,
becoming myself
without any end.
  • "I Hope To Be Around"
My friend,
you have a vivid quill,
a gift you need to use to feel alive.
Those hands look like crooked roots.
Pour them the right stuff
and feel alive.
  • "Pierre"
Talking Points
  • Do you prefer the single or album versions of songs such as “Seven” and “I Hope To Be Around”? Please elaborate :)
  • What do you think a “summer” Men I Trust album would sound like, and more generally, what aspects of their sound would you like to see expanded on moving forward?
  • What other fully independent bands should Indieheads be listening to in 2020?
Thank you to simonthedlgger for their sprawling write-up! Tune back tomorrow as NMHipsterTrash is scheduled to talk Surf Curse's Heaven Surrounds You. In the meantime, discuss today's album and its write-up in the comments below!
submitted by indieheadsAOTY2019 to indieheads [link] [comments]

COVID-19 Transit Impacts in US/Canada for 2020-05-18

😷 Wear a mask as you're coming back. I'm posting these with a historical intent. Links where possible, and let me know if your local is missing.
NOTE: MOST AGENCIES ARE ASKING FOR ESSENTIAL TRAVEL ONLY -- MEDICAL AND SUPPLY RUNS, JOB TRANSIT FOR THOSE WHO PROVIDE THOSE SERVICES. STAY HOME! EXPECT DELAYS AS THEY RUN CRITICALLY LOW ON STAFF.
Many agencies are requiring you wear a mask. Most ask you board from the back, and are putting limits on passenger boarding. Mask requirements are marked with "⚠️" and are because of state orders.
If the agency has a pass app, please pay for the ride through it -- it helps the agency!
(I have also taken the time to clean up and organize the list a bit)

Country-wide

AMTRAK: Covid-19 info 05-13
Note: All overnight trains (except Auto Train) will switch to Flexible Dining menus. Some Cafe service is suspended.
Reduced: NEC, Hartford Line, Thruway Buses, Capitol Corridor, Empire Service, Ethan Allen Express, Illini/Saluki, Illinos ZephyCarl Sanburg, Lincoln Service, Missouri River Runner, Pacific Surfliner, Piedmont, San Joaquins, Valley Flyer, Vermonter (no service north of New Haven M-Sat, no service Sun), Wolverine
Split Service: California Zephyr (no service Reno to Denver), Palmetto (NY to DC only April 3-5)
Terminated before Canada, Reduced service: Maple Leaf (terminates Niagra Falls), Adirondack (terminates Albany, NY), Cascades (terminates Seattle).
Canceled: Keystone, Pennsylvanian, Winter Park Express, Pere Marquette, Carolinian, Downeaster
Replaced w/bus (Thruway): Hiawatha (4/24-5/25)
Returning: Limited Acela starting June 1st
VIA RAIL (CANADA): Covid-19 advisory 05-06
Meal service is reduced to snacks and drinks. IA Rail will refuse passengers who are sick w/o doctors note.
Canceled until further notice: Toronto-Niagara Falls
Canceled until June 1st: JaspePrince George/Prince Rupert
Suspended until Nov 1st: The Canadian (Toronto to Vancouver), The Ocean (Montreal to Halifax)
Limited schedule service: Montreal-Jonquiere/Senneterre (Friday/Sunday departures), Sudbury-White River (Weekend only), Quebec City/Winsor corridor (All-stop service, round trips on each line only)
No sleeper: Winnipeg-Churchill route (until Nov 1)

State/Provence and City

Shut down/demand ride only

Michigan:

Reduced Service - Canada - Improving

Reduced Service - Canada

Reduced Service - USA - Improving

East Coast

Mid-Country

West Coast

Michigan

Reduced Service - USA

East Coast

Mid-country

West Coast

Michigan

Hat-Tips

u/alitales u/NixillUmbreon u/Steaks_on_a_Plane u/voxadam u/cincy_transit_guy u/mohaas06 u/taxorenxuan u/earlyenrichment u/SojuCondo u/TTC_Tokens u/TC1827 u/InfiNorth u/Bombpants u/sebileis u/Pwheatstraw2000 u/Vectrex452
submitted by STrRedWolf to transit [link] [comments]

Mediterranean Cruise (2018)

Mediterranean Cruise (2018)
Here is how to make the most of a one-week Mediterranean cruise and see as much of Europe that one can possibly manage in one week. I planned our cruise to minimize any unpleasant surprises and yet leave room to be spontaneous and adventurous.
This article is not about cruise ships and you do not have to be a fan of cruises as my trip was mostly on land other than the overnight cruising. I felt that at the age of 57, I had delayed Europe long enough and with my busy business schedule, the cruise was the only way to get a snapshot of three countries and six cities in 10 days total, plus two days for flying from and to Canada. My wife does not like cruises, and I was left to travel with Lucas, our seventeen-year-old!
In August 2018, Lucas and I flew to Barcelona, Spain, the embarking port for the Norwegian, Epic cruise ship. It was our very first time on a cruise and our very first time to Europe except for England. I do not recommend August or July for this trip as it is high season for local tourism, and it is too hot to walk the cities (well too hot for me). However, if you have kids in school, then you understand that it must be summer, unless you choose to go without them.
Our ship would mostly cruise at nighttime giving us a full day from 7 am to 6 pm in most cities. That was perfect for me because there is only so much staring at water I can enjoy, and spending time in a tiny casino or eating non-stop are not my kind of pastime. If you are a cruise fan, then Norwegian Epic is great. They have about 10 wonderful restaurants, a superbly well-organized huge buffet with great selection of international food, a nice water park on the upper deck, and even a youth club with games, music, and dance to keep your teens entertained.
Every evening after our long city walk, Lucas and I enjoyed a nice meal after our shower and then watched a show or a musical performance before we hit the sack in our comfortable balcony room. I do not like closed spaces and a balcony room was well worth the small difference in price, even though we did not have much time to be on the balcony. Epic was also completely renovated in 2015, which meant it was clean and up to date on amenities. Always check the year the ship was build or was renovated before committing to a cruise.
Our cruise had stops in these cities:
1- Barcelona, Spain - embarking
a. visit Gothic centre, La Rambla, La Sagrada Familia church, Park Güell,
2- Naples, Italy
a. Rented a car and drove to Sorrento (an hour drive)
3- Rome, Italy
a. Took the train to the city centre and then the city tour-bus to Vatican City, San Angelo Castle, Piazza di Spagna – drove past Colosseum
4- Florence and Pisa tower, Italy – walking tour, site seeing
5- Cannes and Nice, France – walking tour, site seeing
6- Mallorca (Majorca), Spain - took a taxi to Palma Nova beach, swam and chilled
What to pack? We traveled very light with one carryon and a backpack. The backpack was for our extra stuff and NOT for touring the city. I do not recommend walking with a backpack, even less in the summer. Other than the usual travel items, here are some essentials I had to buy.
1- Light and cool walking shoes that were comfortable for walking and cool for summer. I bought a pair of nice leather sandals with good support and solid straps for walking. Also packed a pair of dress shoes for evening dinner on the ship and exercise shoes that I never used!
2- Summer shirts. I ordered some European collared Linen shirts. They look nice, are cool, and comfortable. www.bensherman.com has a good selection of those if you live in Canada or USA. Pack lots of tees for less formal places.
3- A couple of dress pants (linen and or khaki) for the evening restaurant and shows and dress shorts for long walks.
4- Beach sandal and swimming trunk for the Beach in Mallorca which I ended up buying in Cannes
5- Your credit card, Euro currency, and travel documents of course. Leave them in the safety box in your room and only take what you need for the day.
Barcelona, Spain: We arrived Barcelona three days ahead of schedule to experience one city for more than just a day. We stayed at the Boutique Hotel Violeta (http://violetaboutique.com/home/) in the centre of the city and only three blocks from the Plaza Catalunya. It was the best and most centric location in my opinion. I loved the hotel.
Violeta was a small hotel that reminded me of my apartment in Buenos Aires. The hotel is in a residential apartment building where they had turned two floors into hotel rooms. The Gothic architecture offered us a giant completely renovated room with a very high ceiling. We had two queen size beds in our room, a sitting area and plenty of open space. The reception was extremely helpful with information, and being small, made check-in a breeze.
Violeta Boutique also included a European coffee and pastry breakfast but if you wanted an American breakfast, there was a small cafe next door on the street level and plenty of other options within a three-block radius.
Our three days in Barcelona coincided with the Fiesta de Gracia (thanksgiving!) which was a 20-minute bus ride from Plaza Catalunya. I had bought a 10-ride Metro-Bus pass (Credit card size) from the Metro (subway, underground) station at Catalunya. Fiesta de Gracia was in the Garcia neighborhood where all the streets were colourfully decorated by the residents and live bands played all night on the streets and restaurants had set outdoor patios. The music was free, the food was reasonably priced, and people were jolly. It was my second favourite part of our time in Barcelona and we went there two evenings.
Barcelona Gothic city
From the airport, we took a bus straight to Plaza Catalunya (Plaça de Catalunya) in 20 minutes and then walked three blocks to our hotel. I had the hotel directions Googled (searched) in advance. I am fluent in Spanish (the Argentine version) so taking public transit was natural for me. Although Barcelona is a destination for international tourism and most people in the industry seem to speak English.
I bought a SIM card for my phone (which was unlocked in advance) at the airport for €30 from Vodafone (https://www.vodafone.com/) that gave me 10 Gig of mobile data covering most of Europe for up to a month. It did not include coverage on the cruise ship.
La Rambla and the old Gothic city in Barcelona were 10 to 15-minute walk from our hotel or Plaza Catalunya. You want to spend half a day walking this area, watching the beautiful shops, the narrow streets of Gothic centre and try a street café or restaurant.
La Sagrada Familia is a must see for its architecture alone. We took a bus there, but you must purchase tickets in advance if you plan to go inside on a specific day and skip the long lineup. This is another half-day venture unless you want to tour the outside which is fascinating enough. I found it amazing to see how much craft and detail was offered to decorate the exterior of the building. It is no wonder that the new extension brings a modern and plain contrast that just does not quite match the elegance and masterful craftsmanship of the old.
https://preview.redd.it/vtg8evyjdv851.jpg?width=3024&format=pjpg&auto=webp&s=777149d10c02a875134f6fab5d5ae73072cbf3b7
Park Guell is another 20-minute bus ride to the higher altitudes of Barcelona. It is a beautiful park with some very interesting structures left behind. It was a good half-day break from the city to relax and enjoy the nature. You can also see the entire city from the top.
Restaurant can be pricey in the touristy Plaça de Catalunya area. I managed to venture a couple of blocks off the main streets and find some local small restaurants. We had a great satisfying meal at a fantastic price and mingled with the residents. I even found a little Italian owned pizza place! Of course, we also tried the more refined tapas restaurants. After all, we were tourists.
Naples, Italy: The longest leg of our cruise was from Barcelona to Naples which took a full day at sea. That was perfect because it provided us the opportunity to navigate the ship and the amenities, learn the evening programs, browse the list of restaurants, and to start our reservations. I did not think that Naples had enough to interest me for the whole day and I hungered to see the Amalfi coast. Amalfi coast was too far for a day trip, so I decided that Sorrento and maybe Positano would be close enough. I rented a car from Hertz in advance which was a five-minute walk from the port. The car cost me about $150 Canadian, tax included! Luckily, I still remembered how to drive standard transmission (stick-shift).
We made it to Sorrento on the scenic highway with no problem. Traffic did slow at some points giving the driver (me) an opportunity to enjoy the scenery. About 10 minutes before arriving, atop the hills on the narrow road that took us to Sorrento, I found a little space to park the car and breath-in the fresh view of Sorrento waterfront. We could see the sail boats floating on the Mediterranean blue water, and the colourful little houses built on the slope of the hill from the top all the way to the sea. The buildings were in so many colours as if the quaint Sorrento were architected by Michelangelo to be lived by DaVinci’s Mona Lisa.
Sorrento from the road top
Sorrento was so beautiful that we spent the entire day there. We parked the car in an underground parking across to Gran Hotel Europa Palace (www.europapalace.com) on the hilltop. We must have spend about 45 minutes roaming the exterior of the hotel, admiring the architecture and the impressive iron gate, and then spending time on the back patio taking a closer look at the colourful buildings on the hill rolling down to the water. There were stone walking paths from the houses to the water where a giant deck with seats and shades turned the sea into a giant public pool.
Sorrento Hotel
The ladies in reception were extremely helpful offering us information and allowing me to charge my mobile since I had forgotten my charger! According to one of them, the German war maps were still on the lobby walks behind the giant paintings at this fortress (now hotel). I wanted to go down to the waterfront for lunch. So, the nice lady called her friend, the owner of a restaurant on the waterfront, and they sent us a car at no charge and after lunch they drove us back. The ride to the water was through narrow winding streets of Sorrento. After lunch we took a walk along the harbour and watched the sail boats rock on calm waters. I would like to spend a week or more in Southern Italy some day.
I forgot to mention that my cousin lives in Naples working on his PhD. He was our translator for the day. This was our first encounter in forty years (that is a sad tale that should not ruin this travel story). On the way back, we sat in a very nice café in Naples and had an amazing coffee and pastry before heading back to our ship. Italian pastry is the best, with my apology to mom and all the Persians.
Sorrento harbour
Rome, Italy: The port for Rome is in Civitavecchia, an hour drive from Rome. A tour purchased from the cruise would have been around $300 CDN per person. I like to think that I am adventurous and enjoy experimenting the local ways as much as I can. However, I understand that you may think that I am just cheap. I am fine with that. My son (Lucas) and I took a five-minute bus ride to the train station and paid €10 each to take the fast train to Rome. I love trains a lot more than buses.
We could have ventured Rome with local transit; however, our time was limited and we could not afford any time asking for directions. If I recall accurately, the daily hop-on-hop-off city tour was about €20 per person. To visit Rome and only spend one day should be a crime but a snapshot to calm my itching curiosity was the deal I had taken. I would say that Rome and Vatican City would require at least a week. There are many ancient Basilicas other than St. Peter’s each offering a unique history and that alone is well worth a week for me.
The bus passed by the Colosseum, check mark. We were heading to the Vatican City knowing well that we may not make it inside. After all, Vatical city is a day by itself. The bus dropped us a few blocks away in front of San Angelo Castle also known as Mausoleum of Hadrian https://en.wikipedia.org/wiki/Castel_Sant%27Angelo. The castle was a tall cylinder-like giant stone building walled all around like a fortress. I thought we would take a quick tour of the place at €15 (it was free for minors “Lucas”). We ended up spending over two hours admiring the decorated walls and ceilings with painting that were full of stories, and the museum items there were placed in its numerous rooms. We climbed many rocky stairs all the way to the top of this tallest structure in Rome, ventured the narrow hallways and took some pictures on the roof.
San Angelo Castle
The entrance to Vatican City was a ten-minute walk. Before crossing the bridge over Tiber (Tevere) we sat on the patio of a river-side food booth to have a snack. We walked to Vatican City and spent an hour in St. Peter’s Square (Piazza San Pietro) observing the architecture, the elegantly attired Guards, the crowd lining up and the shops that lure the tourist.
We took the tour bus back to Piazza di Espagna. This was the cleanest, most modern, and prettiest part of the city that our eyes had seen in the past few hours. The bus left us on the upper escalation of the Piazza where I took some pictures before descending the steep long set of steps into the centre of the shops and restaurants. We walked for about an hour window shopping and then found a restaurant patio in a pedestrian intersection. It was a touristy area but still reasonably priced. We certainly could give ourselves this one treat before heading back to the train station for our hour and twenty-minute ride back.
Piazza di Espagna
Total cost of our Rome venture including transportation, admissions, and food (for two) was €150. Lunch was the biggest expense.
** Picture
Florence and Pisa, Italy: Another restaurant and show evening aboard the Norwegian Epic, and we arrived in Florence (port of Livorno) early morning. Getting to Florence by public transit was too complicated. A car ride from port of Livorno to Florence was about 90 minutes and to Pisa around 30 minutes. I was lucky to find a private mini-van taxi (a brand new eight-seater Mercedes) that needed two more passengers to get going. At €50 per person to take us to Florence and then Pisa and back, it was a great deal. This deal could have been booked online in advance for €40. A lesson learned here. The other people sharing our ride were a family of four from Montreal, and a mother-son pair from Los Angles.
Everyone was very reserved and quiet. Lucas and I sat in the front with the driver and I spend the entire trip learning from our friendly driver. Florence is beautiful and quaint. However, I thought I had enough architecture in Rome and did not feel like lining up for an hour to see another church. We took a walking tour of Florence and had a meal at small sandwich joint run by two very funny and entertaining ladies. They offered a great selection of artisanal sandwiches, but almost two years later now, I cannot remember what I ate.
Pisa was another little town walled all around. I can imagine the great length the leaders had to go to protect people from attacks and we so often take our freedom for granted. Of course, we must protect ourselves from partisan politics and corporate lawyers, but that is easily manageable. At this point of the trip, I had enough sight seeing. I would have been good with a video of Pisa on YouTube. Here is a picture of the magnificent but defected marble structure.
Florence
Residents sunbathing in Florence
Pisa
Canes and Nice, France:
Canes, France was physically the most beautiful city on this trip, in my opinion. It was manicured clean and peaceful. Canes did not have a port for the cruise ships, hence we had to anchor in the sea and take the emergency boats to the shore. The emergency boats were giant, and each held about 200 people. We had a short time here and we were tired. I should have taken a tour bus, but my sense of adventure (or cheapness) had us walking up the steep and narrow winding street and then back down to the city centre for a bite.
I found a small sandwich shop to share a ham and cheese baguette and a couple of drinks with Lucas. In my broken French, I asked the young lady behind the counter if she could cut the baguette in half for us and she gave me a stern “Non”. I am not certain whether that was a lack of courtesy or I had crossed some religious or cultural boundaries. It was simple enough to split the baguette with me hand. We should have continued our tour of the city and stayed in Canes as I had advised our friends from Quebec. However, a sudden urge came over me to take the train to Nice. We did, and Nice’s downtown and beach area were beautiful to walk; however, the injustice I did to my own principals of travelling is unforgivable. The whole day was just too rushed and consuming.
Canes, City Market
Mallorca (Majorca) Spain:
The trip from Canes to Mallorca was the second longest leg of the cruise. We arrived Mallorca around 1 pm giving us roughly five hours on the Island. After seven days of walking the cities in the heat of August, even the young Lucas was exhausted. The port in Mallorca was not walking distance to any interesting place and Lucas wished to spend the day at a beach. Great idea, I thought.
I Googled the most scenic beaches nearby and Palma Nova was the second choice but the only feasible option due to our limited time. We had a brief line up for a taxi right at the port. There was a family of five from Peru from our cruise in front of us in the lineup and they could not all fit into one taxi. I invited the grandpa of the family to come with us since they were heading to the same beach. Grandpa was a good companion and an opportunity for me to learn about Peru. We agreed on a time for going back together and then split to our ventures.
Palma Nova was perfect to spend a day. The beach had the right amount of crowd and was decorated by some rocky hills on one side for us to take a walk in between swims. The water was perfectly tempered, calm, and clear blue. There were no high rises nor big tourist hotels on this beach and plenty of restaurants and shops. For lunch we crossed the street on the beach to a patio and I shared a nice pizza and drinks for €12. We paid €15 for the bamboo umbrella and two chairs to have our spot on the beach and about €35 total for the taxi ride back and forth. That brings our total to €62 for a beautiful relaxing day in Majorca.
Palma Nova beach, Mallorca
I would like to spend a week in Mallorca. There are many scenic quaint towns and beautiful beaches to enjoy. If you are interested to know more, you can search for Palma, Sóller, Valldemossa, and Pollença. All these are on the west side of the island and within an hour drive from Palma. I would stay in Palma and make day trips to each of these towns. If you are a tennis fan, then you will probably add Rafael Nadal’s academy (https://www.rafanadalacademy.com/en) to the list, which is about an hour drive east of Palma.
Palma Nova beach, Majorca
Our last night on the cruise was concluded by a beautiful three course meal and listening to a live band on the middle deck’s lobby. There was a talented singer among the passengers and a few great dancers on board who joined the performance. It was a great way to end the cruise. We arrived Barcelona early morning, well rested, with a fresh shower and a full tummy. We found a taxi and headed straight to the airport to catch our noon flight back to Toronto without rush. I suppose my project management trainings mixed with my entrepreneurial nature, made a perfect schedule for the trip. You can check out www.pmi.org if you are interested in formalizing your skills for time and budget management.
submitted by bahador9 to u/bahador9 [link] [comments]

Netflix series 'Dirty Money' should do a few episodes related to the money laundering/real estate/fentanyl crisis in Vancouver

Great series on Netflix that discusses corporate corruption; but was a little disappointed to see the series discuss The Federation of Quebec Maple Syrup Producers when there was already enough information at the time regarding money laundering, underground banking from China, real estate, and the fentanyl crisis all taking place within the Vancouver area. Seems like something that a long form documentary could sink their teeth into. Here's a few starting points:

https://globalnews.ca/news/4149818/vancouver-cautionary-tale-money-laundering-drugs/
https://www.straight.com/news/1172466/open-letter-attorney-general-david-eby-sam-coopers-secret-police-study-story
https://globalnews.ca/news/4853051/ontario-casino-regulator-probe-bc-casino-money-laundering/

submitted by Ren_123_ to canada [link] [comments]

Burnout Paradise - Where the developers are now

With the remaster of Burnout Paradise release soon and worked on by Criterion and Stellar Entertainment (see Paul Ross for details on that company) I thought it might be fun to make a thread and track down the devs. If you want some additional reading about Burnout, Three Fields released a history about how it started in January.
For a quick summary, Criterion was originally a 3d graphics rendering technology company owned by Canon. It was spun out and became the “modern” Criterion Games in 1999/2000. In 2004 it was purchased by EA.
Most info/quotes are from company websites and LinkedIn. Now, this thread is long enough already, so let’s get started (this thread is long enough that I’ll have to go into the comments to finish the thread.
Fiona Sperry worked as EA Criterion Studio GM. Sperry helped form the modern Criterion Games and previously worked at McGraw-Hill. In 2014 she left and co-founded Three Fields Entertainment.
Alex Ward worked as creative director. Ward helped form the modern Criterion Games and previously worked at Acclaim. He continued to work at Criterion until 2014 (including a unreleased game codenamed “Adventure”) when he co-founded Three Fields Entertainment.
Peter Hawley worked as executive producer. Hawley previously worked at companies including Lionhead (where he was one of the first employees) and Sony. He joined Criterion in late 2005 and in 2009 became vice president of product development at EA. In 2010 he joined Crowdstar before co-founding Red Robot Labs in 2011, where he worked at CPO and later CEO until 2014. He next joined Zynga before coming CEO of Telltale Games in September 2017.
Craig Sullivan worked as lead designer. Sullivan joined Criterion in 1997 and was the first game designer for the studio. He previously worked at Millenium Interactive as a designetester. In 2009 he became creative director at the company before joining Ghost Games in 2013. Sullivan left Ghost Games at the end of 2016, and in May 2017 joined Amazon.
Jon Lawrence worked as senior development director. Lawrence joined EA in 1998 and worked on series including Harry Potter, F1 and Black. In 2012 Lawrence left to work at Sky before returning to EA shortly in 2013. Later that year Lawrence joined Microsoft as development director, and worked on Warface. In 2015 he joined Natural Motion before joining Digit Game Studios in 2017 as director of production.
Steve Uphill worked as art director. Uphill previously worked at Kuju Entertainment before joining Criterion in 2002. In 2008 Uphill left Criterion and joined Black Rock Studio to work as art director on Split/Second. In 2011 he co-founded ShortRound Games where he worked as art director. In 2016 Uphill returned to Criterion and is currently studio art director.
Stephen Root worked as audio director. Root worked at Acclaim for five years as head of audio before joining Criterion in 2000. In 2008 Root left Criterion and joined Codemasters, where he is currently VP of development creative services.
Olly Read worked as a technical director. Read joined Criterion in 1999 and worked at the company until 2011. In 2012 Read started work as a “game programming ninja” at Escapist Games.
Paul Ross worked as a technical director. Ross joined Criterion in 1996 and worked as CTO before leaving in 2014. He next worked at Three Fields Entertainment before leaving in 2016. Ross next founded Stellar Entertainment in 2016, which is making Burnout Paradise Remastered.
Pete Lake worked as a producer. Lake worked as an artist for early Criterion games before starting production on Paradise. In 2010 Lake worked as a producer for Harry Potter and The Sims. In 2013 he returned to Criterion.
San Shepherd worked as a producer. Shepherd previously worked at EA and Pyro Studios before rejoining EA in 2006. Near the end of 2008 Shepherd left and in 2009 joined Zero Point Software as a board member. At the same time, Shepherd co-founded Escapist Games and became director for European Construction Company. Since 1990 Shepherd has also been director of Citilet Booking, and in 1997 founded The Copenhagen Post, where he worked as CEO for five years. He also produced weekly music shows for Danish TV in the 90s.
Matt Webster worked as a producer. Webster joined EA in 1990 and worked on games including Syndicate, Theme Park and Populous II. He also created the initial concept for the first Fifa game and associate produced the game. After EA purchased Criterion Webster joined the company as producer. In 2013 he became GM of Criterion.
Hamish Young worked as a producer. Young joined Criterion in 1999 and had worked as a technical director and a lead programmer on previous Burnout games. Young continued to work at Criterion until 2013, when he joined Avalanche Studios (for quick reference this is the Just Cause studio, not the Disney Infinity one) where he works as a designer.
Steve Cuss worked as a development manager. Cuss worked at IBM and Intelligent Games before joining EA in 2003. Since 2005 Cuss has worked as a producer for Criterion.
Helen King worked as a development manager. King joined Criterion in 2006 but left in 2009 and joined Codemasters, where they worked on Bodycount. After leaving in 2011 King joined Deepmind in 2012, which was later bought by Google.
Radek Majder worked as a development manager. Majder previously worked at companies like Plastic Wax, Forte Studios and Perception before joining EA in 2006. Majder worked as development director at EA until 2013. In 2014 they joined BBC where they worked until 2017. They are currently head of development management at Mclaren Applied Technology.
Alan McDairmant worked as a development manager. McDairmant previously worked at Inner Workings, Data Design & Artwork, Red Lemon Studios and Visual Science before joining Criterion in 2005. McDairmant continues to work at EA/Criterion and most recently has worked as a director of product development/studio leadership on games such as Battlefront 2, Battlefield 1 and Need for Speed.
Dan McDonald worked as a development manager. McDonald previously worked in QA on series like Burnout, Harry Potter and Populous. McDonald did interviews for Burnout Crash and seemingly left Criterion afterwards. He was credited as a production manager for Until Dawn in 2015.
Sheri Patterson worked as a development manager. Patterson previously worked at Pixar (on the Incredibles, Finding Nemo and Boundin’), Blue Sky and Charlex before joining Criterion in 2006. In 2008 she left and worked as a producer for various companies including DreamWorks and Disney (on Frozen). Patterson also worked with companies including Apple, Google and Land Rover.
Cath Schell worked as production coordinator. Schell first appeared in Criterion credits in 2002, and is still with the company. She posts a lot of mushrooms.
Charnjit Bansi worked as a designer. Bansi previously worked at Codemasters before joining Criterion in 2005. In 2009 Bansi joined Bizarre Creations as a/the game director (Activision doesn’t tend to give detailed credits so I can’t tell if Bansi was the only person with the role). After consulting for a month in 2011 at Neversoft Bansi joined Sledgehammer Games as a/the development director.
Richard Bunn worked as a designer. Bunn previously worked in QA at Sony and as a level designer at Argonaut before joining Criterion in 2004. Bunn worked on the design of the “open-world traffic system, vehicle A.I. behaviours and the Crash Mode gameplay,” for the game. After leaving Criterion in 2007 Bunn rejoined Sony where he worked for three years on the original version of Until Dawn and the canceled Eight Days. After leaving in 2011, Bunn has worked at Mindshapes, Nice Touch and most recently Aceviral.
Matt Follett worked as a designer. Follett joined EA in 1999 working in QA and design. He joined Criterion in 2008 after working on previous Burnout games, and worked on algorithms and scripting for Paradise along with the PC version. Follett later became a lead at Criterion before leaving in 2014. Since then he has worked for Boss Alien.
Paul Glancey worked as a designer. Glancey previously worked as an editor for games magazines in the late 80s/early 90s before joining Eidos in 1998. He joined EA in 2000 before leaving in 2008. He next worked as design director on Split/Second before joining Ubisoft in 2010. In 2012 Glancey returned to Criterion.
Tommy Hudson worked as a designer. Hudson joined Criterion in 2005 and worked at the company until the end of 2010. Hudson next joined DICE where they worked on Battlefield. In 2013 Hudson joined Remedy and worked on Quantum Break. They are currently lead designer on a new game at Remedy.
Oliver Reid-Smith worked as a designer. Reid-Smith joined Criterion in 2004 before leaving in 2010. They worked as a lead designer on Split/Second before becoming a freelance consultant in 2012. Reid-Smith has worked on games including The Room, Disney Infinity and Blackwood Crossing.
Steve Watt worked as a designer. Watt joined EA in 2004 and worked as lead online designer. In 2008 Watt left and joined Codemasters where they worked as lead designer. After the closure of the Guildford studio in 2011, Watt did some freelance in 2012. Later that year, Watt joined Microsoft.
Ben Earnshaw worked as a level designer. Earnshaw worked on AI and planned race routes for the game, before leaving at the end of 2007. He next joined Dark Energy Digital as a designer on Hydrophobia. In 2010 Earnshaw left the gaming industry and joined his family’s woodworking company.
Mata Haggis worked as a level designer. Haggis previously worked at Channel 4 and MTV before joining Criterion for 2007. Haggis worked on building the world and make it seem believable. In 2008 he joined Rebellion where he worked as a designer on Alien vs Predator and PDC World Championship Darts Pro Tour. After leaving Rebellion in 2010 Haggis lectured at NHTV for five years before becoming a professor. From 2013 to 2016 he worked with Sassybot freelance, and since 2000 has worked as a game designer with Matazone.
Dave Sage worked as a level designer. Sage joined Criterion in 2007 after short work lecturing. In 2008 Sage left and joined Codemasters, where he worked until 2011. Since then Sage has worked for various groups teaching, and currently is general manager of a cafe/bicycling company.
Jason RM Smith worked as associate CG supervisor. Smith joined EA in 1998 and worked at Bullfrog and EA UK before joining Criterion. At the end of 2007 Smith left and joined Lucasarts where he worked on The Force Unleashed, 1313 and other games. When Lucasarts closed Smith co-founded Soma Play where he worked until 2017. He currently is a creative consultant.
Richard Franke worked as a lead artist. Franke worked as an artist for Scavenger and Mucky Foot before joining EA in 2002. At the end of year Franke joined Criterion, where he worked until 2012. After leaving Franke founded Magic Notion where he has made games and worked as a contract artist for Media Molecule.
Mark Hamilton worked as a lead artist. In 2008 Hamilton left Criterion and co-founded Fireproof Games.
John Lewis worked as a lead artist. Lewis worked as an artist at ICE, DA Group and Bits Studios before joining Criterion in 2005. In 2012 Lewis left and joined Codemasters. Lewis is currently art director at the studio.
James Lipscomb worked as a lead artist. Lipscomb worked at Line One, Red Hot Chilli and Orange Crush before joining EA in 2002. In 2009 Lipscomb left and joined Disney where he worked on Split/Second. At the end of 2011 Lipscomb joined Lucasarts where he worked until the company’s closure. After that he worked at Rumble, Gaia Interactive and Linekong working in UI and UX. He is currently director of UX at pocket gems.
Neil Manners worked as a lead artist. Manners seems to have joined Criterion in the mid-90s. He seems to still be at EA, last working as a senior animator on Need for Speed Payback.
Barry Meade worked as a lead artist. Meade joined the studio in 2003 after working at PCSL, Bullfrog, Scavenger, Negative Productions, Mucky Foot and Iguana. Meade worked mostly on the lighting for Paradise. In 2008 Meade left Criterion and helped found Fireproof Games, where he currently works.
Yuta Nakamura worked as a lead artist. Nakamura worked for Video Systems before joining EA in 2001. Nakamura went on to work as a art director on Need for Speed games before joining DICE in 2016.
David Rack worked as a lead artist. Rack joined Criterion in 2003 and worked at Criterion until 2008. After leaving Rack co-founded Fireproof Games, where he is currently a lead artist.
Damien Rayfield worked as a lead artist. Rayfield worked at Rebellion before joining Criterion in 2004. In 2008 Rayfield left and co-founded Fireproof Games.
Roger Schembri worked as a lead artist. Schembri worked as a graphic designer before joining Criterion in 2004. Schembri worked on UI before leaving in 2008 to work as a lead UI artist at Codemasters. At the end of 2010 Schembri left and joined Fireproof Games.
Chris Cannon worked as an artist. Cannon joined Criterion in 2005 after animating and storyboarding for various companies. In 2008 Cannon left and co-founded Fireproof Games, where he is a lead designer.
Max Cant worked as an artist. Cant joined Criterion in 2005 and worked as an environmental lead. In 2008 Cant left and joined Codemasters as an art director. After leaving Codemasters in 2011, Cant worked for six months at both Koyoki and Vatra Games. At the end of 2012 Cant joined Deepmind, which was later bought by Google.
Tony Cartwright worked as an artist. Cartwright “worked for a several game companies, some that he would prefer not to mention, working on titles that he’d also prefer not to mention.” (mostly movie tie-ins) before joining Criterion. In 2008 Cartwright left and co-founded Fireproof Games, where he is currently a lead artist.
Ingmar Clarysse worked as an artist. Clarysse worked at Larian and Argonaut before joining EA in 2004 as a VFX artist. In 2008 Clarysse left and joined Rocksteady Games, where he works as lead on VFX on the Arkham series.
Will Evans worked as an artist. Evans worked at Teletext before joining Criterion in 2005. In 2009 Evans joined Codemasters before joining Supermassive Games in 2010. After leaving in 2014 and working for 9 months at Rodeo Games, Evans co-founded Playsport Games in 2015.
Dave Flynn worked as an artist. Flynn joined the games industry in 1991 working at Storm Education Software. Flynn also worked at Oregan Software, The Automotive Association and Interactive Studios/Blitz Games (including work on Glover) as well as co-founding Paradise Games. In 2003 Flynn joined Criterion before leaving in 2008 and joining Slightly Mad Studios.
Nicole Gabriel worked as an artist. Gabriel worked as a 3D modeler for various architecture groups before joining EA in 2005. Gabriel worked on the art for Paradise City before leaving in 2009 to work as a freelance artist.
Derek Germain worked as an artist. Germain worked at Bits Studio before joining EA in 2005 as an environmental artist. In 2009 Germain left before joining Slightly Mad Studios as a snr artist. In 2011 Germain left and joined FIreproof Games, where he is a senior artist.
Jack Griffin worked as an artist. Griffin joined Criterion in 2005 before moving into management in 2012. Griffin is currently development direction at the company.
Ben Hall worked as an artist. Hall joined Criterion in 2005. On Paradise he worked on vehicles and later the environment. Hall moved into world design for later Criterion games before becoming lead. In 2013 Hall moved to Ghost Games for five months before working on Battlefield Hardline as an artist for seven months. In 2014 Hall joined Ubisoft where he worked as a level designer on Assassin’s Creed Syndicate. He is currently working as world director on an unannounced game from Ubisoft Quebec.
James Hans worked as an artist. Hans ran Infinite Detail before joining Criterion in 2001. In 2011 Hans became a producer at Criterion before leaving in 2014. Since leaving, Hans has worked as an artist/producer at Natural Motion.
Scott Harber worked as an artist. Harber joined Criterion in 2003 and worked as a technical artist on Paradise. In 2013 Harber worked for a year as technical art director on an unannounced EA game before working on Battlefield Hardline. In 2014 Harber left and started Sc0tt Games which he ran for a year before joining Natural Motion as lead technical artist.
Young Jin Park worked as an artist. I’m unable to find additional information about what Park did (they are credited on Black and Burnout Dominator, but their Mobygames page is mixed with another person with the same name).
Jin Jung worked as an artist. They were last credited with Hot Pursuit, but I’m unable to find any additional information.
Quyen Lam worked as an artist. Lam worked shortly at La Paraguas and Axis Animation before joining Criterion in 2005. In 2008 Lam left and joined Ubisoft, where he worked on Driver: San Francisco. After a short three months at Slightly Mad, Lam joined Rockstar as an environmental artist in 2010.
Kwok Law worked as an artist. Law previously worked on films and television like Harry Potter before joining Criterion in 2005 as a level artist. In 2008 Law left and joined Doublesix Games, where he was a seniolead artist. In 2012 Law left and joined Born Ready before joining Digicub nine months later. In 2013 he co-founded Polynation Games until 2016, when he founded Massive Kwok.
Steve Leney worked as an artist. Leney worked at Mindscape for most of the 90s before joining EA in 1998. In 2008 Leney left and joined Relentless Software, where he worked until 2016. Since leaving Leney has worked as an artist at Make Real.
Mikael Mettania worked as an artist. Mettania worked at Atari and Eutechnyx before joining Criterion in 2005. He worked as a senior vehicle artist on Paradise and a world artist on the DLC. In 2013 Mettania moved over to Ghost Games for seven months before joining Natural Motion as art director in 2014.
Lyndon Munt worked as an artist. In college, Munt worked on Driv3r before joining Criterion in 2004. In 2010 Munt left and joined Fireproof Games, where he is currently a senior artist.
Ben Murch worked as an artist. Murch previously worked at Rebellion before joining Criterion in 2005. In 2007 Murch left and joined Codemasters as a senior artist. In 2010 Murch co-founded Rodeo Games. In 2016 he co-founded Perchang.
Adriaan Pottas worked as an artist. Pottas previously worked at Three Blind Mice and Indestructible Productions before joining EA in 2005. In 2009 Pottas left and worked for a year at Ignition London as a senior artist. Since 2010 Pottas has lectured at Southampton Solent University.
Richard Thomassen worked as an artist. Thomassen worked at Psygnosis for a year before joining Criterion in 1998. In 2013 Thomassen moved to Ghost Games before returning to Criterion the following year.
Marcus Wainwright worked as an artist. Wainwright worked for a year at Rebellion and joined Criterion in 2005. At the end of 2008 Wainwright left and soon joined Codemasters, where he worked until the start of 2012. After a year at Climax Wainwright joined Deepmind in 2013, and is currently a senior technical artist.
Chris Walley worked as an artist. Walley previously worked at Revolution Software before joining Criterion in 2001. On Paradise Walley was lead previs artist. In 2008 Walley left and became director at Escapist Games.
Sam White worked as an artist. White joined EA in 2005 and worked as a graphic designer and GUI artist. In 2009 White left and joined Supermassive Games as an interface artist. In 2015 White left and became director at Playsport Games.
Iain Angus worked as a lead programmer. Angus was an intern at APR Smartlogik before joining Criterion in 2002. In 2011 Angus left and joined VLI before joining Konami in 2013. In 2015 he joined Lionhead until its closure in 2016. He currently works as a development manager at Creative Assembly.
Chris Cummings worked as a lead programmer. Cummings previously worked at Eutechnyx before joining Criterion in 2004. In 2009 he left and joined joined Media Molecule. In 2015 Cummings spent a year at Hello Games working as a programmer on No Man’s Sky before joining Happy Robot Games and Future Tech Labs in 2016.
Alex Fry worked as a lead programmer. Fry joined Criterion after college and worked on rendering. Sometime in the last few years Fry moved over to EA Guildford and currently works on rendering for Frostbite. If you want to learn more, Fry did an interview with EA
Andy Hubbard worked as a lead programmer. Hubbard joined Criterion in 2004 working on physics. In 2008 Hubbard joined Black Rock Studios to work on Split/Second before becoming director of ShortRound in 2011.
Mark Huntley worked as a lead programmer. Huntley worked at Bullfrog from 1993 to 2000 before joining EA. After some Harry Potter games Huntley worked on Paradise. At the end of 2010 he left EA and in 2011 joined Codemasters as a lead programmetechnical director on for online. In 2013 he moved to Lionhead where he worked until the company’s closure. Since then he has worked as a technical program manager at Highlight - See Clearly.
Steve Lucas worked as a lead programmer. Lucas worked at IBM for around a year before joining Criterion in 1998. In 2013 Lucas moved to Canada and became a technical director at EA.
Toby Nelson worked as a lead programmer. I’m unable to find out much info about Nelson. Their first game as part of Criterion was AirBlade and they directed Burnout Crash.
Tad Swift worked as a lead programmer. Swift worked for about a decade in programming/consultation before studying games programming in 2003 and 2004. Swift joined Criterion in 2005 as a junior programmer before becoming lead VFX programmer for Black and Paradise. Swift next went into core engine technologies before leaving in 2013 to join Lionhead. Swift worked as a lead programmer for Fable Legends before joining the Microsoft Advanced Technology Group as a senior software engineer.
Rajan Tande worked as a lead programmer. Tande joined EA in 1996 and in 1999 became a lead programmer. After two years as technical director for Harry Potter, Tande joined the Burnout team in 2006. After Paradise, Tande moved over to EA Bright Light where he worked until its closure in late 2011. He next moved to Maxis Emeryville in California where he worked until its closure in 2015. Since then, he has been CTO at Magic Fuel Games.
John Twigg worked as a lead programmer. Twigg previously worked at EA Black Box before joining Criterion in 2006. Twigg led the design of the audio software for Paradise before leaving in 2008 to joining BNP Paribas. In 2010 he co-founded Crankcase Audio and has worked for a year or so at companies including United Front Games, Snowball (which he co-founded) and Credit Karma.
David Addis worked as a programmer. Addis worked at Codemasters for a year before joining EA in 2005. On Paradise Addis worked on the HUD and refactoring the system. In 2008 he left and joined Lionhead where he worked until 2012. Since 2013 he has worked as lead UI programmer at Natural Motion. Since 2010 he has also run ESP Games.
Mark Baker worked as a programmer. Baker worked at Sony, Metrowerks, Mucky Foot and Climax before joining Criterion in 2005. Baker worked on tools and workflow for Paradise before leaving in 2008 and joining NCSoft for five months. Later in 2008 he joined Black Rock Studio and worked as a lead programmer on Split/Second. In 2011 Baker joined Mind Candy before returning to EA in 2015 as a technical director for development release engineering.
Peter Bliss worked as a programmer. I’m unable to find much information about Bliss but they seem to still be at Criterion.
Garry Casey worked as a programmer. Casey joined Criterion in 2006. At some point Casey moved over to Ghost Games and last worked as online lead on Need for Speed Payback.
Rob Cowsill worked as a programmer. I’m unable to find much information about Cowsill but it seems like they joined Rebellion in 2009 any maybe currently works at Force Field.
Ken Cropper worked as a programmer. Cropper is still at Criterion, and is currently director of engineering.
Antony Crowther worked as a programmer. Crowther joined the games industry in 1983 and worked at Aligata Software, Mirror Soft, Mindscape, Gremlin Interactive, Infogrames and Genepool before joining EA in 2004. In 2006 Crowther moved to Criterion for a year before returning to EA. Since 2011 Crowther has worked as a technical consultant at Sumo Digital.
Graham Daniell worked as a programmer. I was unable to find much information about Daniell but they seem to be at Rocksteady.
Robert Dodd worked as a programmer. Dodd previously worked at Codemasters before joining Criterion in 2005. In 2008 Dodd joined Supermassive before becoming technical director at Fireproof Games in 2011.
Jon Evripiotis worked as a programmer. Evripiotis worked at Travellers Tales before joining Criterion in 2005. In 2008 he joined Bloomberg as a software engineer.
Martiño Figueroa worked as a programmer. Figueroa joined Criterion in 2005 and worked as an AI and gameplay programmer for Paradise. In 2011 Figueroa left and worked at The Foundry for 10 months before co-founding and becoming director of JFDP Labs in 2012. Since 2015 Figueroa has been director of Madruga Works which released Planetbase.
Rich Geldard worked as a programmer. Geldard joined Criterion in in 2005 and is still with the company as technical director.
Joseph Goodwin worked as a programmer. Goodwin joined Criterion in 2006 and worked on tools, UI and localization for Paradise. Goodwin is still at Criterion as a software engineer.
André Jacobs worked as a programmer. Jacobs previously worked at Fifth Dimensional Technologies, Adreniware, I-Imagine and Climax before joining Criterion in 2006. Jacobs worked on the traffic system for Paradise which was later used in Criterion Need for Speed games. In 2008 he joined Lionhead before joining Bloomberg in 2010. In 2012 Jacobs became lead programmer at Medopad before leaving in 2015 and working a year at ICSA. Since 2010 he has also run Voxel Beast.
Matthew Jones worked as a programmer. Jones previously worked at Terabyte and Infogrames/Atari before joining Criterion in 2006. In 2013 Jones left Criterion and worked JFDP Labs on contract while being self employed. In 2015 he joined Microsoft as a senior software engineer in rendering.
Ian Lambert worked as a programmer. Lambert is still part of Criterion and works on UI and UX.
Ling Lo worked as a programmer. Lo worked out Logica, Coment, Argonaut and Symbian before joining EA in 2005. Lo worked on tools and build for Paradise before moving to Vancouver in 2008 to work with EA Black Box. In 2012 Lo moved to Burnaby and has worked as lead online engineer for the Garden Warfare series.
Phil Maguire worked as a programmer. Maguire joined Criterion in 2005 and worked on Freeburn Challenges, Mugshots and Road Rules for Paradise. After working on autolog and multiplayer for Need for Speed games Maguire because technical director of Criterion in 2013. In 2014 he left and help found Three Fields Entertainment.
Alex Mole worked as a programmer. Mole joined Criterion in 2005 and was lead online programmer for autolog. Mole is currently technical director of Criterion. In 2016 Mole gave a talk at GDC.
Robert Perren worked as a programmer. Perren joined Criterion in 2005 before becoming lead tools and workflow programmer in 2012 at Criterion/Ghost Games. In 2014 he left EA and became technical manager at Falmouth University.
Davide Pirola worked as a programmer. Pirola previously worked at companies including Psygnosis, Steel Monkeys and Kuju Entertainment before joining Criterion in 2005. As part of Criterion, Pirola was the self-described “lowest ranked programmer ever.” Here is Pirola’s description of working at Criterion unedited: “My main duty was playing foosball at their mega bar and basically trying to do as little as possible! I mostly succeeded for almost 5 years, my contribution to their games was very minimal, in fact the worst part of every game they made was probably my code, specially crafted in such a way that was a mess to understand and run, credits go where credits due people… I once tried to write some proper code, I remember, it was a Thursday morning, but then I've changed my mind.” Pirola left in 2010 and is currently “Le Grande Fromage” at JFDP labs.
Gavin Rouse worked as a programmer. Rouse joined Criterion in 2002 and seems to now be at Ghost Games as a senior software engineer.
Andrei Shires worked as a programmer. Shires is still at Criterion and seems to work on front end and UI.
Dave Smeathers worked as a programmer. Smeathers joined Criterion in 2006 after being “forced into making video games to pay off his online poker debts.” On Paradise Smeathers worked on coding physics and coding crashes. Smeathers later became physics lead on Need for Speed Most Wanted before leaving Criterion in 2013 to join Fireproof Games.
James Smith worked as a programmer. Smith worked at Mentor Graphics before joining Criterion in 2003 as an audio programmer. Smith became lead audio programmer before leaving Criterion in 2007 and moving to Canada to work at Black Box. In 2012 he left and joined The Coalition, where he is lead audio programmer.
David Steptoe worked as a programmer. Steptoe joined Criterion in 2002 and later became lead audio programmer. In 2013 he left and joined Escapist Games, before leaving at the end of the year. In 2014 he joined Lionhead where he worked until its closure. Steptoe currently runs Audio Software Development, which he formed in 2016.
Alex Thomson worked as a programmer. Thomson previously worked at Rebellion, Elixir and Kuju before joining Criterion in 2006 as a senior software engineer. He has worked as a technical director and lead software engineer in his time at Criterion.
Alex Veal worked as a programmer. Veal joined Criterion in 2006 as an online software engineer. In 2014 he left Criterion and helped start Three Fields Entertainment
James Warren worked as a programmer. Warren joined Criterion in 2005 as an audio programmer. He currently seems to be at Ghost Games and is audio lead.
Tom Williamson worked as a programmer. Williamson previously worked at The Marketing Bureau before joining Criterion in 1999 as a software engineer. In 2011 he left Criterion and the following year became director at JFDP Labs, where he worked until 2017. In 2012 he also started a company called Threeshinyapples Limited.
Ben Woodhouse worked as a programmer. Woodhouse joined Criterion in 2005 as a graphics programmer. On the Paradise engine, Woodhouse worked on “lighting, shadows, occlusion culling, frustum culling, scene management, and various low-level CPU/SPU jobs used in the rendering pipeline.” At the end of 2009 he left Criterion and joined Lionhead as lead engine programmer. After the closure of Lionhead, he joined Epic where he is currently lead console programmer.
Chris Hegstrom worked as audio lead. Hegstrom previously worked at Stormfront Studios and Lucasarts before joining Criterion in 2005. At the end of 2007 Hegstrom left and joined Sony where he worked on God of War. In 2010 he joined Microsoft as audio director before leaving in 2015 and starting Symmetry Audio. In 2016 he joined Technicolor before joining Amazon in September 2017.
Steve Emney worked as an audio designer. Emney was previously self employed before joining Criterion in 2004. He became audio director at Criterion before joining Disney to work on Split/Second in 2009. After the closure of Black Rock Emney became director of TRC Family Entertainment in 2012 where he worked until 2014. Since 2014 he has worked for eMotion in Sound and since 2015 has worked for The Trailerfarm.
Lewis James worked as an audio designer. James joined Criterion in 2005. In 2008 he moved to EA Montreal until 2011, when he moved to Guerrilla Games. At the end of 2013 he left and became director of Improbable until 2015, when he joined La Indiana Sound.
Zsolt Marx worked as an audio designer. Marx previously worked at Rockstar Vienna before joining Criterion in 2005. In 2008 he started to work on other EA games before leaving the company in 2010 after working on Harry Potter and the Deathly Hallows. Since 2012 he has worked as a producer and lead programmer at Noizoo Games.
Thomas Belmont worked as an additional producer. Belmont previously worked at Ubisoft (first in QA and later as a designer and producer) and Eliad Technologies before joining Criterion in 2006. In 2011 he moved to Vancouver to work on other EA games before leaving in 2014 and becoming a producer for online technologies at Ubisoft.
Nick Channon worked as an additional producer. Channon joined EA in 1996 in Vancouver before moving to the UK in 2000 and joining Criterion in 2006. In 2008 he moved back to Vancouver and is currently senior director of business development at EA.
Neil Kaminski worked as an additional producer. Kaminski previously worked at companies including Bullfrog, Pure and Argonaut before joining Criterion in 2005 as a lead artist. In 2006 he became a producer before leaving in 2008 to become studio art manager at Codemasters in 2008. In 2011 he left and joined Escapist Games before joining Pixel Heroes in 2013. After leaving in 2016, he joined CCP in 2017.
Emily Newton Dunn worked as an additional producer. Dunn previously worked in PR for various companies before joining Criterion in 2005 as a producer. In 2007 Dunn moved to EA and became a game designer before becoming lead game designer at Playfish in 2011. In 2013 she left and after being after a few companies for a few months Dunn joined Another Place in 2014. In 2017 she left and after seven months at Playdiation joined Media Molecule in January 2018 as a consultant system designer.
Anja Haman worked on additional support. Haman previously worked at Radical before joining EA in 2005. In 2007 she left before joining Black Box in 2009-2011. From 2012-2015 Haman worked at Work at Play and has been part of Microsoft since the end of 2017. Since 2000 she has worked as president of Haman Consulting.
Maëlenn Lumineau worked on additional support. Lumineau worked as a translator before joining EA in 2000. In 2007 she joined Criterion as as operations manager before leaving in 2013 and joining Ubisoft as a producer.
Adrian Selby worked on additional support. Selby joined Criterion in 2002 as a producer before leaving in 2009 and becoming a producer at Disney. After 2011 Selby worked at some non-video game companies like BP before joining Boss Alien in 2015.
Harvey Wheaton worked on additional support. Wheaton previously worked at companies including JPMorgan Chase before joining EA in 2003. In 2007 and 2008 he was COO/director of product development at Criterion before joining Supermassive in 2008 as their studio director. At the end of 2013 he left and, after working as a consultant for over a year, joined Codeclan in 2015. In 2017 he became executive producer at Natural Motion.
Graeme Williams worked on additional support. Williams worked at Virtuality, Psygnosis and Rebellion before joining Criterion in 2002 as head of product management. In 2004 he became development director before leaving in 2008. After five months at Supermassive Williams joined VIrtual Toys where he worked until 2011. He next joined Digital Chocolate before joining Ubisoft in 2013. From 2014-2016 he worked at Guerrilla before taking a break and joining Virtually Live in 2017.
Paul Dibden worked as an additional artist. Dibden joined EA in 2005 as a graduate artist before eventually becoming a development director. In 2013 he left and co-founded Milkcap before joining Splash Damage in 2015 as a producer.
John Humphries worked as an additional artist. Humphries previously worked at Bubball before joining EA in 2005. In 2008 Humphries left and joined Realtime Worlds as a lead environmental artist. In 2010 he founded Onyx Digital.
Vincent Jenkins worked as an additional artist. Jenkins joined EA in 2006 as a concept artist before joining Codemasters in 2008, where he worked until 2011. Jenkins has mostly worked as an artist for films, including Rogue One, Game of Thrones and Casino Royale. He last worked on concept art for Solo.
Rasmus Jorgensen worked as an additional artist. Jorgensen joined EA in 2000 as a concept artist before leaving in 2007 to join Codemasters. In 2010 Jorgensen left and spent about a year at Leading Light, Double Negative and Ghost A/S before joining IO in 2014.
Jason Lord worked as an additional artist. Lord joined EA in 1993 and worked as a video director until 2012. In 2012 Lord started Liquid Crimson, which has worked with companies including Square Enix, Supermassive, Hello Games, Microsoft, IGN and Capcom.
Osman Nazlivatan worked as an additional artist. Nazlivatan previously worked freelance and at Argonaut before joining EA in 2004 as a technical artist. In 2007 Nazlivatan left, and after months freelance at Big Head, joined Hotch Potch as lead artist/director. In 2011 Nazlivatan left and after under a year at both Natural Motion and Sony joined King in 2014. In 2016 Nazlivatan left King but I’m unable to find what they’ve done after. Edit: Nazlivatan is still at King
Justin Rae worked as an additional artist. Rae joined EA in 1996 and was lead artist on F.A. Premier Manager games. In 2008 Rae left and became director of art at Supermassive before starting his own company, Studio 96, in 2016.
Peter Reeve worked as an additional artist. Reeve previously worked at a few different companies before joining EA in 2004 as a video editor. In 2008 Reeve joined Black Rock before freelance in 2009 and working with companies including EA and Crytek. He currently works at RMV Productions.
Dean Stolpmann worked as an additional artist. Stolpmann worked as an artist at companies including Frontier and Sony before joining Criterion/EA in 2005. In 2007 Stolpmann joined Outso and Codemasters before joining Supermassive as art director in 2010. Stolpmann joined Gameloft shortly after before becoming head 3D tutor at South Seas Film & TV school in 2013.
Avril Lavigne sang the song “Girlfriend” which was featured in the game. The song released in 2007 and the music video has been viewed over 400 million times. Lavigne also recorded the chorus of the song in 8 different languages.The song also got another version with Lil Mama.
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